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Volume 59 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).
Volume 50
Über einen geschlechtergerechten Sprachgebrauch wird in Deutschland nun schon seit über 40 Jahren diskutiert. In Folge der Verbreitung gegenderter Formen (Wählende) und grascher Sonderzeichen (Dozent*in) ist der Ton der Debatte deutlich rauer geworden; die beiden ,Lager' stehen sich inzwischen nahezu unversöhnlich gegenüber und reden nicht selten aneinander vorbei. Dieser Sammelband vereint Beiträge zu elf europäischen Sprachen, in denen sprachgeschichtliche Aspekte und die gegenwärtige Debatte so wertneutral wie möglich und unter Vermeidung von Polemik behandelt werden. Ziel des Bandes ist es, Denkanstöße zum komplexen Verhältnis zwischen Genus und Geschlecht zu bieten und auf diese Weise zu einer gelasseneren und respektvolleren Debatte beizutragen. Einen Einstieg in das Thema bietet der erste Beitrag zum Gendern in der Antike; es folgen Untersuchungen zu den Sprachen Deutsch, Englisch, Niederländisch, Norwegisch, Schwedisch, Französisch, Italienisch, Spanisch, Russisch, Tschechisch und Finnisch.
This book provides an integral, readable account of changing attitudes toward pain in late medieval Europe. Since pain itself cannot be known, the book looks at pain by chronicling what people wrote about it, and what they did with and about that.
Galenism, a rational, coherent medical system embracing all health and disease related matters, was the dominant medical doctrine in the Latin West during the Middle Ages and the Renaissance. Deriving from the medical and philosophical views of Galen (129-c.210/6) as well as from his clinical practice, Latin Galenism had its origins in 12th-century Salerno and was constructed from the cultural exchanges between the Arabic and Christian worlds. It flourished all over Europe, following the patterns of expansion of the university system during the subsequent centuries and was a major factor in shaping the healing systems of the Christian, Jewish and Muslim communities - the subject of a previous volume by Professor García-Ballester. The present collection deals with a wide array of issues regarding the historical Galen and late medieval and Renaissance Galenism, but focuses in particular on the relationship between theory and practice. It includes first English versions of two major studies originally published in Spanish.
From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
Right from the beginning, classical literature has been embroiled with questions of authenticity, fakes, frauds, and, of course, scandal. Issues of dubious authorship, and contested authority confront philologists, critics and publishers today as surely as they did in the classical era itself. The new era of postmodernism, however, encourages us to look at the work of the forger with fresh eyes, and recent scholarship reflects this in an interdisciplinary approach which goes well beyond the conventional academic endeavor to separate the authentic from the fake. Fakes and Forgers of Classical Literature comprises essays from an international cast of scholars who, in their diverse and creative approaches to questions of authenticity both old and new, radically revise the position of the forged text in the literary tradition and, in light of modern approaches of philology and literary criticism, offer exciting new strategies for understanding forgery and the play with authenticity within ancient literature itself.