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Suellen Hoy's Good Hearts describes and analyzes the activities andcontributions of Catholic nuns in Chicago. Beginning with the arrival ofwomen-religious in 1846 and ending with the sisters' social activism inthe 1960s, Good Hearts traces the development and evolution of thesisters' work and ministry that included education, health care, andsocial services. Contrary to conventional portrayals of religious asreclusive and conservative, the nuns in Good Hearts are revealed asdynamic, powerful agents of change. Catholic sisters lived on the edge, serving sick and poor immigrants as well as those racially andreligiously unlike themselves, such as the uneducated black migrantsfrom the South
Eleven essays, most in English and a handful in German, reflect the experience of German and Austrian refugees who landed in Great Britain during the Nazi era. Three are case studies of academics and professionals who built new careers in England; two focus on refugee children, one concentrating on the fate of those educated at leading German-Jewish institutions, and one on the reading habits of children across two cultures; and the remaining essays examine developments in the political and cultural spheres. The index lists names only, not subjects. c. Book News Inc.
This is an essential tribute to the vitality and breadth of shamanic tradition both amongst the most distant tribes of America and Asia, and within seemingly ordinary aspects of modern western culture.
The personal writings of a remarkable couple who lived parallel lives during the Second World War, surviving persecution and exile.
This is the third in a series of genealogical studies of German families that emigrated to the Kingdom of Hungary in the early 18th century and settled in Somogy County. Kötcse is the oldest of the three major German Lutheran parishes that evolved and numerous families from Kötcse were instrumental in the establishment of the other two. The family histories of those who settled in the parish of Somogydöröcske are included in the volume: Dörnberg: In the Shadow of the Josefsberg; and those from the parish of Ecsény in From Toleration to Expulsion that both preceded this publication. In addition to the genealogical information the author provides the historical context and other information vital to an understanding of the lifestyle, traditions and ultimate destiny of their sojourn in Hungary and beyond.
The author defends nonconceptualism, the claim that perceptual experience is nonconceptual and has nonconceptual content. Continuing the heated and complex debate surrounding this topic over the past two decades, she offers a sustained defense of a novel version of the view, Modest Nonconceptualism, and provides a systematic overview of some of the central controversies in the debate. An explication of the notion of nonconceptual content and a distinction between nonconceptualist views of different strengths starts off the volume, then the author goes on to defend participants in the debate over nonconceptual content against the allegation that their failure to distinguish between a state vi...
Many Americans who believe that women should be able to choose when and whether to bear a child are also deeply disturbed by the one-and-one-half million abortions performed each year in this country. They regard these concerns as irreconcilable, because the topic of abortion, until now, has been framed as a black-or-white conflict between the rights of the mother and those of the fetus. The very idea of compromise or common cause draws scorn among factions. How, after all, can the political debate about abortion permit any more options than pregnancy itself does? This extraordinary book tells fifty stories about women from strikingly diverse backgrounds who have had to choose whether to giv...
Fifteen years ago, Oscar-winning actress Anna Mayhew had the world at her feet. Now she's pushing forty, her younger lover has left her and the parts are drying up. Seriously depressed, Anna spends much of her time thinking up clever ways to kill herself. But when she discovers she has a crazed stalker, Anna decides she might as well let the stalker do it instead - and create enough headlines to propel her name into film immortality? What better way for a star to exit the stage? Enter David Spandau, who's hired by Anna's sister to protect her. But how do you keep alive a woman who'd prefer to be dead? Despite himself, Spandau finds himself falling for Anna when he accompanies her to the Cannes Film Festival. But Vincent the stalker is also in Cannes, intent on a bloody consummation of their relationship. And Vincent in turn is followed by Special, an opera-loving LA pimp who's trying to recover the $80,000 of mob-owned money Vincent stole from him. So begins a deadly cat-and-mouse game. . .