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Nineteenth-Century Piano Music
First Published in 2004. 19th-Century Piano Music focuses on the core composers of the 19th-century repertoire, beginning with 2 chapters giving a general overview of the repertoire and keyboard technique of the era, and then individual chapters on Beethoven, Schubert, Weber, Mendelssohn, Chopin, Schumann, Brahms, Liszt, and the women composers of the era, particularly focusing on Fanny Hensel and Clara Schumann.
Fantasies of Identification
In the mid-nineteenth-century United States, as it became increasingly difficult to distinguish between bodies understood as black, white, or Indian; able-bodied or disabled; and male or female, intense efforts emerged to define these identities as biologically distinct and scientifically verifiable in a literally marked body. Combining literary analysis, legal history, and visual culture, Ellen Samuels traces the evolution of the fantasy of identificationOCothe powerful belief that embodied social identities are fixed, verifiable, and visible through modern science. From birthmarks and fingerprints to blood quantum and DNA, she examines how this fantasy has circulated between cultural repre...
Pendo
This book tells in brief the fifty years my in-laws served in Africa as pioneer missionaries and how our life for forty-one years after theirs was different, because of independence of African countries, as well as modernization. I hope it shows the thrill and love we have for Africa and her people. The basic goal in writing this book was to tell our grandchildren and our friends what living in Africa was like and the difference God makes when people follow Him. I wish I had another life to give to Africa.
The Umayyads
This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo
Facts and Artefacts
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kroger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
The Old Rose Index
This detailed book is the useful long-awaited and efficient comprehensive index to Brent C. Dickerson's fascinating works on Old Roses. The index lists all of the roses in these internationally-known, influential works, and specifies to the reader which page in which of these books has the main or important entry on the rose in question; also indexed here are all substantive references to people, places, things, or concepts in these important works which arose from Dickerson's twenty years of careful research and close study. "The Old Rose Index" additionally includes complete and updated appendices listing roses by year and by color, several interesting articles, as well as updates to Dicke...
Learning from Other Religions
One common argument against taking the notion of divine revelation seriously is the extraordinrary diversity which exists betwen the world's major religions. How can God be thought to have spoken to humanity when the conclusions drawn are so very different? David Brown authoritatively and persuasively tackles this issue head-on. He refutes the idea that all faiths necessarily culminate in Christianity, or that they can be reduced to some facile lowest common denominator, arguing instead that ideas may emerge more naturally in one context than another. Sometimes, because of its own singular situation, another religion has proved to be more perceptive on a particular issue than Christianity. At other times, no religion will hold the ultimate answer because what can be asserted is heavily dependent on what is viable both scientifically and philosophically. Although complete reconciliation is impossible, a richer notion of revelation – so the author suggests – can be the result.
The Life, Art and Religious Iconography of David Wright
This book showcases the contribution Australian contemporary glass artist David Wright has made to Australian art and international glassmaking. From 1970 until 2014, David Wright produced hundreds of high quality art glass windows for Australian public, private and sacred spaces, including significant national churches, chapels, and synagogues, yet little scholarly research on the artist and his place in Australian art history exists. Including the first catalogue raisonné ever produced on the artist, combined with a close examination of his opus, his influences, manufacturing methods and personal history, this book demonstrates for the first time the extraordinary contribution David Wright made to Australian art and contemporary glassmaking.
