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On Second Thought
Every ending marks a potential beginning; every act of reading is, in a very real sense an act of re-writing; and to revise is, literally, to re-see. These bits of conventional wisdom underlie the topic explored in this volume's collection of essays by literary critics who want to know more about the instinct to continue and the impulse to revise an existing text.
Romantic Realities
Reads Romantic literature through the lens of 21st century speculative realist philosophyRead and download the series editor's preface (by Graham Harman) and the Introduction to Romantic Realities for free nowSpeculative realism is one of the most exciting, influential and controversial new branches of philosophy to emerge in recent years. Now, Evan Gottlieb shows that the speculative realism movement bears striking a resemblance to the ideas and beliefs of the best-known British poets of the Romantic era.Romantic Realities analyses the parallels and echoes between the ideas of the most influential contemporary practitioners of speculative realism and the poetry and poetics of the most innov...
Scott's Novels and the Counter-Revolutionary Politics of Place
Counter-revolutionary or wary progressive? Critical apologist for the Stuart and Hanoverian dynasties? What are the political and cultural significances of place when Scott represents the instabilities generated by the Union? Scott's Novels and the Counter-Revolutionary Politics of Place analyses Scott’s sophisticated, counter-revolutionary interpretation of Britain's past and present in relation to those questions. Exploring the diversity within Scott’s life and writings, as historian and political commentator, conservative committed to progress, Scotsman and Briton, lawyer and philosopher, this monograph focuses on how Scott portrays and analyses the evolution of the state through notions of place and landscape. It especially considers Scott’s response to revolution and rebellion, and his geopolitical perspective on the transition from Stuart to Hanoverian sovereignty.
Material Transgressions
Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. The essays gathered here examine how Romantic writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this volume, the idea of transgression serves as a flexible and capacious discursiv...
Feeling British
Feeling British argues that the discourse of sympathy both encourages and problematizes a sense of shared national identity in eighteenth-century and Romantic British literature and culture. Although the 1707 Act of Union officially joined England and Scotland, government policy alone could not overcome centuries of feuding and ill will between these nations. Accordingly, the literary public sphere became a vital arena for the development and promotion of a new national identity, Britishness. Feeling British starts by examining the political implications of the Scottish Enlightenment's theorizations of sympathy the mechanism by which emotions are shared between people. From these philosophical beginnings, this study tracks how sympathetic discourse is deployed by a variety of authors - including Defoe, Smollett, Johnson, Wordsworth, and Scott - invested in constructing, but also in questioning, an inclusive sense of what it means to be British.
Imagining Methodism in Eighteenth-Century Britain
In the eighteenth century, British Methodism was an object of both derision and desire. Many popular eighteenth-century works ridiculed Methodists, yet often the very same plays, novels, and prints that cast Methodists as primitive, irrational, or deluded also betrayed a thinly cloaked fascination with the experiences of divine presence attributed to the new evangelical movement. Misty G. Anderson argues that writers, actors, and artists used Methodism as a concept to interrogate the boundaries of the self and the fluid relationships between religion and literature, between reason and enthusiasm, and between theater and belief. Imagining Methodism situates works by Henry Fielding, John Clela...
Positioning Daniel Defoe’s Non-Fiction
This volume analyses the form, structure and genre of a selection of non-fictional works by Daniel Defoe. Directing our scholarly gaze away from the much studied novels, the essays explore the rhetorical strategies and generic inventiveness on display in Defoe’s better known non-fictional texts, such as The Shortest Way with the Dissenters and A Tour through the Whole Island of Great Britain, and some of his lesser known publications, such as his Complete English Tradesman and An Essay on the History and Reality of Apparitions. What emerges from the collection is the picture of an author who responded to early eighteenth-century debates and events with outstanding authorial skill and energy, and to whom matters of form and style were of great importance.
The Cambridge History of European Romantic Literature
Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.
Approaches to Teaching Petrarch's Canzoniere and the Petrarchan Tradition
One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teac...
British Romanticism, Climate Change, and the Anthropocene
This book is the first major ecocritical study of the relationship between British Romanticism and climate change. It analyses a wide range of texts – by authors including Lord Byron, William Cobbett, Sir Stamford Raffles, Mary Shelley, and Percy Shelley – in relation to the global crisis produced by the eruption of Mount Tambora in 1815. By connecting these texts to current debates in the environmental humanities, it reveals the value of a historicized approach to the Anthropocene. British Romanticism, Climate Change, and the Anthropocene examines how Romantic texts affirm the human capacity to shape and make sense of a world with which we are profoundly entangled and at the same time represent our humiliation by powerful elemental forces that we do not fully comprehend. It will appeal not only to scholars of British Romanticism, but to anyone interested in the relationship between culture and climate change.
