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Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings,...
As the pace of change in African societies has quickened over the past hundred years, interest in traditional African art as a means of understanding these cultures has increased. The historic ties between the United States and the Democratic Republic of the Congo make the art from this part of the world of special interest to American audiences. Spirits Embodied is the companion volume to a landmark exhibit that opened in the fall of 1999 at the Minneapolis Institute of Arts. A beautifully produced and extensively illustrated volume, Spirits Embodied offers a nuanced look at Congolese art produced from 1800 to 1940. Each section of the catalog examines the art of one ethnic group and offers...
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The work of Chippewa artist George Morrison (1919–2000) has enjoyed widespread critical acclaim. His paintings, drawings, prints, and sculptures have been displayed in numerous public and private exhibitions, and he is one of Minnesota’s most cherished artists. Yet because Morrison’s artwork typically does not include overt references to his Indian heritage, it has stirred debate about what it means to be a Native American artist. This stunning catalogue, featuring 130 color and black-and-white images, showcases Morrison’s work across a spectrum of genres and media, while also exploring the artist’s identity as a modernist within the broader context of twentieth-century American an...
First multi-year cumulation covers six years: 1965-70.
Among native peoples of the North American Plains there is a long history of making representational imagery, both sacred and personal. This lavishly illustrated book explores this tradition, setting a large variety of objects in their social context and against a background of sweeping historical change. 442 illustrations, 143 in color.