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The Dead Kid Detective Agency
Thirteen-year-old October Schwartz is new in town; she spends her free time in the Sticksville Cemetery and it isn't long before she befriends the ghosts of five dead teenagers, each from a different era of the past. They form the Dead Kid Detective Agency, a group committed to solving Sticksville's most mysterious mysteries.
Connect the Scotts
Is the fourth time a charm for October and her ghost detective friends? While investigating the cause of the long-dead Tabetha Scott’s death way back in the 1860s, October and the Dead Kids discover that Sticksville, Ontario, served as an endpoint for the Underground Railroad, the secret network by which enslaved people escaped to free states and Canada. But October Schwartz finds herself with more detective work than she can handle after some new musically inclined chums are incriminated in a robbery at a school concert. Fraudulent occult psychics, funeral home ambushes, band wars, the spooky Sticksville fairgrounds, and a history of prejudice all converge in a climactic conclusion that hints a secret society might be behind all manner of catastrophes in October Schwartz’s not-so-boring little town.
Dial M for Morna
As the Dead Kid Detective Agency embarks on its second (mis)adventure, October Schwartz and her five deadest friends are back, turning over metaphoric rocks and finding the centipedes underneath. In this latest volume, set against a backdrop of yuletide pandemonium, they discover dark supernatural forces at work in Sticksville and sleuth their way through a mystery involving a blizzard of suffragettes, ice skating disasters, anti-Asian sentiment, and the Titanic. Although the holiday season has descended upon the town like an eggnog rainstorm, October has no time for candy canes or mistletoe. She’s busy dealing with an oddly pleasant new history teacher, her two living friends’ new roles as high school radio DJs, and mysteries to be solved before the year end. October and her ghost friends are hot on the trail of those responsible for Morna MacIsaac’s death in 1914—or as hot as one can be on a 100-year-old trail—when Yumi becomes the target of a sinister harassment campaign at school. Solving dual concurrent mysteries at once won’t be easy, but the intrepid heroine in black eyeliner loves a challenge.
Dial M for Morna
The anticipated second volume in Munday's Silver Birch - nominated series October Schwartz and her five deadest friends are back. The holiday season has descended upon the town of Sticksville like an eggnog rainstorm, but October has no time for candy canes or mistletoe. She's busy dealing with an oddly pleasant new history teacher, her living friends' new roles as high - school radio DJs, and two ( ) new mysteries that need solving before the new year. October and her ghost friends are hot on the trail of the person (or persons) responsible for Morna MacIsaac's death in 1914 - or as hot as one can be on a 100 - year - old trail - when October's friend Yumi finds herself the target of anti - Asian harassment at school. Solving two mysteries at once won't be easy, but our intrepid heroine in black eyeliner loves a challenge. Follow October, Cyril, Tabetha, Morna, Kirby, and Derek as they sleuth their way through a blizzard of suffragettes, iceskating disasters, mystical telephones, and boats named Titanic, all set against a backdrop of yuletide pandemonium.
Doom
DOOM: Love Poems for Supervillains is an edgy and erotic investigation of comic book bad boys. These poems employ a language that is highly technical and dense, but it becomes witty, intimate and even tender in its specificity. These poems address the results of abuses of power and taken together present a case study in the pathology of villainy. Praise for Thumbscrews: "Natalie Zina Walschots [is] a writer who engages with the aesthetics of sadomasochism in order to generate elegant, sensual poetry that writhes inside the shackles of its own linguistic constraint... [she] treats each poem as a miniature, theatrical tableau--a 'passion play, ' in which she forces language to submit to her will, beating its grammar into a stupor of ecstatic nonsense."--Christian Bok, The Poetry Foundation
The Cultural Gutter
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
Ghostlight
When Gabe accidentally awakens the ghost of Rebecca Strand, murdered by a wicked creature, he and his friends become swept up in a thriller that threatens not only them but the whole of humankind ...
The Hungry Mirror
The Hungry Mirror is the fictional tale of a young woman overwhelmed. Lured by false promise and seeking fickle social acceptability, she starves herself and fast becomes trapped when seeming-sanctuary proves a cage of addictions walled by self-hatred and filled with doubt. Increasingly ill, her marriage cold, her family well-intentioned enablers of mistaken social belief, the young woman realizes the choice is hers; to live or die. A story of compassionate vulnerability and determined empowerment.
Granma Nineteen and the Soviet's Secret
BY THE WINNER OF THE 2013 JOSÉ SARAMAGO PRIZE AN AFRICA39/UNESCO CITY OF LITERATURE 2014 TOP AFRICAN WRITER UNDER 40 A GUARDIAN TOP FIVE AFRICAN WRITER, 2012 WINNER OF THE GRINZANE PRIZE FOR BEST YOUNG WRITER, 2010 By the beaches of Luanda, the Soviets are building a grand mausoleum in honour of the Comrade President. Granmas are whispering: houses, they say, will be dexploded, and everyone will have to leave. With the help of his friends Charlita and Pi (whom everyone calls 3.14), and with assistance from Dr. Rafael KnockKnock, the Comrade Gas Jockey, the amorous Gudafterov, crazy Sea Foam, and a ghost, our young hero must decide exactly how much trouble he’s willing to face to keep his Granma safe in Bishop’s Beach. Energetic and colourful, impish and playful, Granma Nineteen and the Soviet’s Secret is a charming coming-of-age story from the next rising star in African literature.
