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Political Economy, Race, and the Image of Nature in the United States, 1825–1878 is an interdisciplinary work analyzing the historical origins of a dominant concept of Nature in the culture of the United States during the period of its expansion across the continent. Chapters analyze the ways in which “Nature” became a discursive site where theories of race and belonging, adaptation and environment, and the uses of literary and pictorial representation were being renegotiated, forming the basis for an ideal of the human and the nonhuman world that is still with us. Through an interdisciplinary approach involving the fields of visual culture, political economy, histories of racial identity, and ecocritical studies, the book examines the work of seminal figures in a variety of literary and artistic disciplines and puts the visual culture of the United States at the center of intellectual trends that have enormous implications for contemporary cultural practice. The book will be of interest to scholars working in art history, visual culture, American studies, environmental studies/ecocriticism, critical race theory, and semiotics.
Bringing together scholars from art history, visual studies, and related disciplines, this edited volume asks why Trumpism looks the way it does and what that look means for American—and global—society. Grouped into six categories, the essays in this volume tackle some of the most perplexing—and urgent—aspects of the Trumpist visual project. Two of the most striking aspects of that project are its use of novel commodity forms, including the iconic red baseball caps, as well as its embrace of social media. Trump’s outlandish persona and striking physicality have lent themselves to caricature both from his critics and, perhaps more surprisingly, his supporters. That physicality—as ...
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
A portrait of Abraham Lincoln analyzes the great president's political career, his fierce nationalism, his greater moral purpose that made him oppose slavery, and other facets of his life and times. By the author of The Fate of Liberty. 10,000 first printing.
The brilliant but turbulent life of a public intellectual who transformed the social sciences Robert Bellah (1927–2013) was one of the most influential social scientists of the twentieth century. Trained as a sociologist, he crossed disciplinary boundaries in pursuit of a greater comprehension of religion as both a cultural phenomenon and a way to fathom the depths of the human condition. A Joyfully Serious Man is the definitive biography of this towering figure in modern intellectual life, and a revelatory portrait of a man who led an adventurous yet turbulent life. Drawing on Bellah's personal papers as well as in-depth interviews with those who knew him, Matteo Bortolini tells the story...
Pulitzer Prize-winning historian Mark E. Neely, Jr. vividly recounts the surprising story of political conflict in the North during the Civil War. Examining party conflict as viewed through the lens of the developing war, the excesses of party patronage, the impact of wartime elections, the highly partisan press, and the role of the loyal opposition, Neely deftly dismantles the argument long established in Civil War scholarship that the survival of the party system in the North contributed to its victory.
Neely considers the war’s destructiveness in a comparative context, revealing the sense of limit that guided the conduct of American soldiers and statesmen. Modern overemphasis on violence in Civil War literature has led many scholars to go too far in drawing analogies with the 20th century’s “total war” and the grim guerrilla struggles of Vietnam.
"Cumberland County, Pennsylvania, was created from Lancaster County in 1750 and became the parent county of Bedford (created 1771), Mifflin (created 1789) and Perry (created 1820) counties."--Page vi.