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The Kilmichael Ambush of 28 November 1920 was and remains one of the most famous, successful – and uniquely controversial – IRA attacks of the Irish War of Independence. This book is the first comprehensive account of both the ambush and the intense debates that followed. It explores the events, memory and historiography of the ambush, from 1920 to the present day, within a wider framework of interwar European events, global ‘memory wars’ and current scholarship relating to Irish, British, oral and military history. Kilmichael: The Life and Afterlife of an Ambush features extensive archival research, including the late Peter Hart’s papers, as well as many other new sources from British and Irish archives, and previously unavailable oral history interviews with Kilmichael veterans. There has always been more than one version of Kilmichael. Tom Barry’s account certainly became the dominant one after the publication of Guerilla Days in Ireland in 1949, but it was always shadowed and contested by others, and in this book, Eve Morrison meticulously reconstructs both ‘British’ and ‘Irish’ perspectives on this momentous and much-debated attack.
This special collection assembles some of the most pre-eminent scholars in the field in African, African American, and American Studies to explore the ways writers reclaim the Black female body in African American literature using the theoretical, social, cultural, and religious frameworks of spirituality and religion. Central to these discussions is Black women’s agency within these realms—their uncanny ability to invent and reinvent themselves within individual and communal spaces that frame them as both outsider and insider, unworthy and worthy, deviant and sacred, excess and minimal. Scholars have sought to discuss these tensions, acknowledged and affirmed in prose, poetry, music, essays, speeches, written plays, or short stories. Forgiveness, healing, redemption, and reclamation provide entry into these vibrant explorations of self-discovery, passion, and self-creation that interrogate traditional views of what is spiritual and what is religious. Discussed writers include Toni Morrison, Phillis Wheatley, James Baldwin, Tina McElroy Ansa, Toni Cade Bambara, and Thomas Dorsey.
Focuses on the role of shame and trauma as it looks at issues of race, class, color, and caste in the novels of Toni Morrison.
In Part 1 Keane gives a brief introduction to the period and outlines the most important events that took place during the course of the fight against the British in Cork from 1916 to 1921 and during the Civil War of 1922–23. This includes the burning of Cork city, the ambush at Kilmichael (which is examined in great detail), Crossbarry and the story of Tom Barry's trench coat. In Part 2 Keane uses a wealth of new sources to reconstruct every death that can be ascribed to the war, including those caught in the crossfire and some accidental deaths that can be directly linked to one side or the other. Some individuals who did not die in the county, but who were central to the conduct of the war there, are also included. One such example is Terence MacSwiney, who died in Brixton prison in London in October 1920, but was both head of the IRA in Cork and lord mayor of the city, having assumed the role after his predecessor, Tomás MacCurtain, had been assassinated earlier that year.
In 1922, following a decade of political ferment and much bloodshed, the Irish Free State was established, became stabilised, and developed along conservative lines. During these years the prevailing impulse was to reprove the actions of republicans who had rejected the Anglo-Irish Treaty, and many significant revolutionary voices were left unheeded. One mind, more agile than most of his contemporaries, belonged to Ernie O’Malley. It was through his vastly popular ‘clipped lyric’ memoirs, especially On Another Man’s Wound in 1936, that many of the complexities of the republican mindset were brought to light for readers worldwide. In Modern Ireland and Revolution, leading Irish and Am...
The start of the Irish Civil War was signalled by the artillery bombardment of the Four Courts in Dublin on 28 June 1922. A week later, the Four Courts was gutted and O’Connell Street a smouldering ruin, but the anti-Treaty IRA was driven from the city. Most accounts of the fighting in Dublin end there. The Civil War in Dublin reveals the complete, shocking story of Ireland’s capital during the ten-month guerrilla war that followed – a ruthless and bitter cycle of execution, outrage and revenge. The strategy of the anti-Treaty forces, often ignored or dismissed in previous histories, is brought to the fore. Dorney’s exacting research provides total insight into how the city of Dublin...
Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.
The story of Easter 1916 from the perspective of those who made it, focusing on the experiences of rank and file revolutionaries. Fearghal McGarry makes use of a unique source that has only recently seen the light of day - a collection of over 1,700 eye-witness statements detailing the political activities of members of Sinn Féin and militant groups such as the Irish Republican Brotherhood. This collection represents one of the richest and mostcomprehensive oral history archives devoted to any modern revolution, providing new insights on almost every aspect of this seminal period.
Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.
The Easter Rising of 1916 not only destroyed much of the centre of Dublin — it changed the course of Irish history. But why did it happen? What was the role of ordinary people in this extraordinary event? What motivated them and what were their aims? These basic questions continue to divide historians of modern Ireland. The Rising is the story of Easter 1916 from the perspective of those who made it, focusing on the experiences of rank and file revolutionaries. Fearghal McGarry makes use of a unique source that has only recently seen the light of day — a collection of over 1,700 eye-witness statements detailing the political activities of members of Sinn Féin and militant groups such as...