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"This study of her work confirms that the idea of progress toward the afterlife is a recurrent motif, arising from a personal involvement in the movement of Spiritualism and paralleling the automatic writing passages in The Result of an Experiment (1909), anonymously published by Evelyn and her husband William De Morgan.".
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A lively and multi-faceted account of Evelyn and William De Morgan, exploring a unique artistic partnership that spanned several cultural circles including the Pre-Raphaelites and Arts and Crafts movement With a partnership spanning two centuries, the Pre-Raphaelite painter Evelyn (1855-1919) and Arts and Crafts potter and author William De Morgan (1839-1917) influenced several significant art movements in nineteenth-century Britain. Despite this, their impact has been relatively overlooked in comparison with their better-known contemporaries. Evelyn & William De Morgan is the first major publication devoted to the work of either artist and their unique relationship. It draws out each artist...
Evelyn De Morgan (1855 – 1919) was an English Pre-Raphaelite painter. During her lifetime Evelyn De Morgan produced approximately 102 oil paintings and over 300 drawings. At first glance, works like Flora (1894), Cadmus and Harmonia (1877), Eos (1895) and Night and Sleep (1878) appear to be that of a typical mid-century literary painter influenced by the work of Spencer Stanhope, Watts and Burne-Jones. Consequently, this was the way in which most contemporary critics assessed her paintings: Many do reflect the usual conventions and literary themes of late Victorian art with its Pre-Raphaelite traces and neo-classical tendencies. However, looking closer, one discovers Symbolist works that employ the language of Christian allegory to reveal the artist’s engagement with the contemporary issues of her time. These works may be divided into three categories: spiritualist allegories, depictions of sacred heroines, and war paintings.
Although best-known as a Pre-Raphaelite painter, Evelyn De Morgan (1855-1919), was a prolific writer during her childhood. Showing a strong aptitude for creative work from a young age, De Morgan filled many exercise books with her writings and also kept a diary. Accessing previously unpublished manuscripts from the De Morgan Foundation, Serena Trowbridge reveals the growing creativity of this famous painter and provides an insight into her early imagination. This edition includes an introduction, a biography and timeline of Evelyn De Morgan, a bibliography, and an annotated collection of her writings.
Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes pai...