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A magnificent hardcover collection of song lyrics and poems from across the storied career of one of the most daring and affecting poet-songwriters in the world. In the more than half century since his first book of poems was published, Leonard Cohen has evolved into an international cult figure who transcends genres and generations. This anthology contains a cross section of his five decades of influential work, including such legendary songs as “Suzanne,” “Sisters of Mercy,” “Bird on the Wire,” “Famous Blue Raincoat,” and “I’m Your Man” and searingly memorable poems from his many acclaimed poetry collections, including Flowers for Hitler, Beautiful Losers, and Death of a Lady’s Man. Encompassing the erotic and the melancholy, the mystical and the sardonic, this volume showcases a writer of dazzling intelligence and live-wire emotional immediacy." Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
A collection of poems which capture the experience of solitude- by day or night, in the city or in the country, in waking or in dreams. There are contented reveries, expressions of loneliness and despair, reflections on mind and soul, and meditations recorded in the stillness of the night. Poets can be said to be the custodians of the interior life, and from Sappho's "Tonight I've watched" to Emily Dickinson's "I'm Nobody! Who are you?" and from Yeats's communion with 'the deep heart's core' in "The Lake Isle of Innisfree" to Bei Dao's veneration of "Ordinary Days", some of the most indelible poems from every time and culture have grown out of the aloneness inherent in the poet's art. And for readers who either seek or escape from solitude,all of the poets in this anthology - from Sappho and Callimachus to Mark Strand and Richard Wilbur - offer words to console and inspire. They remind us that in cultivating solitude we explore the limits of our imaginations and realize our mostprofound feelings and needs.
Poems of London brings together a remarkably wide range of poems inspired by the storied city, from its teeming medieval streets to the multicultural metropolis it is today. The pantheon of classic English poets, from Shakespeare and Donne to Wordsworth and Blake to T. S. Eliot and Ted Hughes, provide their views of London alongside tributes by notable visitors including Arthur Rimbaud, Samuel Beckett, and Sylvia Plath. Here, too, are poetic contributions by an array of immigrants and the children of immigrants, including Linton Kwesi Johnson, Fleur Adcock, Patience Agbabi, and Booker Prize-winner Bernardine Evaristo. All the famous sights of London, from the Thames to the Tower, are touched on in this vibrant collection, and denizens of its busy streets, ranging from princes to pub-goers to pickpockets, wander through these pages. The result is an enthralling portrait of an endlessly varied and fascinating place.
Presents a collection of poetry that captures the rich diversity of the city from such poets as Dorothy Parker, James Merrill, W.H. Auden, Allen Ginsberg, Audre Lorde, and Wallace Stevens.
For thousands of years humans have variously worshipped trees, made use of them, admired them, and destroyed them- and poets have long chronicled the relationship. In this collection, Robert Frost's "Birches," Marianne Moore's "The Camperdown Elm," Gerard Manley Hopkins's "Binsey Poplars," and Zbigniew Herbert's "Sequoia" stand tall beside Eugenio Montale's "The Lemon Trees," Yves Bonnefoy's "The Apples," Bertolt Brecht's "The Plum Tree," D. H. Lawrence's "The Almond Tree," and A. E. Housman's "Loveliest of Trees." Whether showing their subjects being planted or felled, cherished or lamented, towering in forests or ?owering in backyards, the poems collected here pay lyrical tribute to these majestic beings with whom we share the earth.
It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul.
The splendid poems in this collection both represent and glorify the cultivating instinct, and each of them succeeds in "annihilating all that's made," as Andrew Marvell puts it in one of the most famous of all English poems, "to a green thought in a green shade." Contents include poems on Paradises, Gardens of Love, Gardens in the Mind, Gardens and Seasons, Flowers, Gardeners, The Work of the Garden, Gardens of the Wild, City Gardens, Public Gardens, Ruined Gardens, and A Garden of Gardens. Contributors include John Milton, Ovid, E.E. Cummings, Thom Gunn, John Donne, James Merrill, Wallace Stevens, Robert Browning, Shakespeare, and many others.
It is often said that Rumi (aka Jalal al-Din, 1207-73) is now the most popular poet in the United States. This conquest of the new world by a middle-eastern medieval writer who died before Chaucer was even born has been achieved with extraordinary speed in less than thirty years.The main key to Rumi's success is the spiritual appeal of his work. It combines lyrical beauty with philosophical profundity, a sense of rapture and an acute awareness of human suffering in ways which speak directly to contemporary audiences. Like the metaphysical poets, Donne, Vaughan and Herbert, Rumi yokes together everyday images with complex ideas. He talks about divine love in vivid human terms. As a religious teacher of the Dervish order, he expounds the mystical doctrines of Sufism which focus on the notion of union with the Beloved to whom many of the poems are addressed. Persian poetry of this period is not easy to translate. In order to give the greatest possible access to a wonderful poet this selection draws on avariety of translations from the early 20th century to the present, ranging from scholarly renderings to free interpretations.
Poems over the ages lamenting the dead. In Elegy for Himself, written in the London Tower before his execution, Chidiock Tichborne wrote: "My tale was heard, and yet it was not told; / My fruit is fall'n, and yet my leaves are green; / My youth is spent, and yet I am not old; / I saw the world and yet I was not seen."