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100 Years On: Revisiting the First Russian Art Exhibition of 1922
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two youn...
Passion and Perception
This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.
Modernism and Revolution
Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
Aftermath of the Holocaust and Genocides
While many works have been published on different aspects of the Holocaust and genocides, their aftermath and impact on society still require further research and discussion in scholarly literature. This book illuminates unknown aspects of the aftermath of the Holocaust and genocides, and discusses trials of Holocaust and genocide perpetrators, commemoration of the victims, attempts to revive Jewish national life, and outbreaks of post-World War II anti-Semitism. It also analyzes the representation of the Holocaust and genocides in literature, press and film. The volume includes thirteen articles, which are based on recently discovered archival materials, and provides new approaches to the research of the Armenian genocide, the Holodomor, ethnic cleansing and the Holocaust.
Past Imperfect
Swept up in the vortex of communism, French postwar intellectuals developed a blind spot to Stalinist tyranny. Albert Camus, who had been an authentic moral voice of the Resistance, pretended not to know about the crimes and terrors of the Soviet Union. Jean-Paul Sartre perverted logic to make an apologia for the Soviet invasion of Hungary. Simone de Beauvoir called for social change to be brought about in a single convulsion, or else not at all. Foolish French thinkers, suffering self-imposed moral anesthesia, defended the credibility of the show trials in Stalinized Eastern Europe. In a devastating study, Judt, a professor of European studies at New York University, argues that the belief system of postwar intellectuals, propped up by faith in communism, reflected fatal weaknesses in French culture such as the fragility of the liberal tradition and the penchant for grand theory. He also strips away the postwar myth that the small, fighting French Resistance was assisted by the mass of the nation.
Partea nevazuta decide totul
„Tot sensul vieții noastre poate fi gândit ca o aducere la vizibilitate, prin felul nostru de a vedea, a părții de nevăzut din lume şi din fiecare. Fiecare dintre eseurile cuprinse în acest volum pune în lumină sau celebrează o formă de nevăzut. Nu este nevăzutul suprasensibil ori extrasenzorial. Nu e nimic mistic în nevăzutul de care vorbesc și nimic mistagogic în felul în care îl invoc. Nevăzutul nu e o opțiune. Nevăzutul este aici, lângă noi, în noi, ca un dat inconturnabil al lumii și al naturii noastre. Suntem în el predați lui cu totul, așa cum suntem predați apei, când ne scufundăm, ori aerului, când ne regăsim respirația. Singularitatea condiției...
Motherland in Danger
Main description: Much of the story about the Soviet Union's victory over Nazi Germany has yet to be told. In Motherland in Danger, Karel Berkhoff addresses one of the most neglected questions facing historians of the Second World War: how did the Soviet leadership sell the campaign against the Germans to the people on the home front? For Stalin, the obstacles were manifold. Repelling the German invasion would require a mobilization so large that it would test the limits of the Soviet state. Could the USSR marshal the manpower necessary to face the threat? How could the authorities overcome inadequate infrastructure and supplies? Might Stalin's regime fail to survive a sustained conflict wit...
Charlottengrad
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community membe...
Jews in Russian Literature After the October Revolution
This work is an innovative and controversial study of how four famous Jews writing in Russian in the early Soviet period attempted to resolve the conflict between their cultural identity and their place in Revolutionary Russia. Babel, Mandelstam, Pasternak and Ehrenburg struggled in very different ways to form creative selves out of the contradictions of origins, outlook, and social or ideological pressures. Efraim Sicher also explores the broader context of the literature and art of the Jewish avant-garde in the years immediately preceding and following the Russian Revolution. By comparing literary texts and the visual arts the author reveals unexpected correspondences in the response to political and cultural change. This study contributes to our knowledge of an important aspect of modern Russian writing and will be of interest to both Jewish scholars and those concerned with Slavonic studies.
Mid-Century Romance
Mid-Century Romance chronicles a revival of the historical novel chronicles a revival of the historical novel in the middle decades of the twentieth century in the cultures of British modernism and international communism. Born of a national turn in world politics, these novels met the turbulence of mid-century history with narratives of national becoming, roadmaps to situate their readers in the pattern of social change. Their writers were often mindful of the genre's romantic-era heritage: they saw themselves as following in the footsteps of Sir Walter Scott and they drew on the same rescued remains of primitive poetry and popular antiquities that romanticism first used to construct its ve...
