You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Completely revised and updated with newly commissioned articles, the 20th anniversary edition ofThe Writer's Handbookis an indispensible companion for everyone in the writing profession. Containing over 6,000 entries covering every area of writing, with provocative articles and useful advice from leading representatives of the trade, this practical, straightforward guide provides full details on the core markets. In addition to the key areas of UK and US book publishers, agents, magazines, screenwriting, theater and poetry, writer's courses and circles, festivals, and grants and prizes, the guide also offers invaluable expert advice on contracts, copyright, and taxation.
Meet a concubine who is buried alive with her lord; a girl in Rio who longs to dance the samba; a writer who seeks his muse in an Italian piazza; a farmer who invites the Queen to muck out his pig pen; a pantomime dame; a highly dysfunctional family; a film star who drinks blood - we could go on. But no: see for yourselves in this entertaining collection of stories, novel extracts, poems and flash fiction from Exeter Writers' Group.
What can stories of magical engraved rings or prophetic inscriptions on walls tell us about how writing was perceived before print transformed the world? Writing beyond Pen and Parchment introduces readers to a Middle Ages where writing is not confined to manuscripts but is inscribed in the broader material world, in textiles and tombs, on weapons or human skin. Drawing on the work done at the Collaborative Research Centre “Material Text Cultures,” (SFB 933) this volume presents a comparative overview of how and where text-bearing artefacts appear in medieval German, Old Norse, British, French, Italian and Iberian literary traditions, and also traces the paths inscribed objects chart across multiple linguistic and cultural traditions. The volume’s focus on the raw materials and practices that shaped artefacts both mundane or fantastical in medieval narratives offers a fresh perspective on the medieval world that takes seriously the vibrancy of matter as a vital aspect of textual culture often overlooked.
Climate change negotiations have failed the world. Despite more than thirty years of high-level, global talks on climate change, we are still seeing carbon emissions rise dramatically. This edited volume, comprising leading and emerging scholars and climate activists from around the world, takes a critical look at what has gone wrong and what is to be done to create more decisive action. Composed of twenty-eight essays—a combination of new and republished texts—the anthology is organised around seven main themes: paradigms; what counts?; extraction; dispatches from a climate change frontline country; governance; finance; and action(s). Through this multifaceted approach, the contributors ask pressing questions about how we conceptualise and respond to the climate crisis, providing both ‘big picture’ perspectives and more focussed case studies. This unique and extensive collection will be of great value to environmental and social scientists alike, as well as to the general reader interested in understanding current views on the climate crisis.
This encyclopaedia includes short definitions and explanations of current UK requirements. It includes an introduction identifying the heart of primary English and up to date information and key issues.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past—textual and conc...
This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.
YA. Suspense fiction. They know where you are... In the middle of the Mexican jungle a small scientific team prepare to embark on an exploration of the world's deepest sinkhole; a naturally-formed underwater shaft that no one has ever reached the bottom of. What they are about to discover could change the world forever. Three thousand miles away, Joe McDonald's father is arrested for murder. Joe and his friend Giles are desperate to prove his innocence, but when more people are attacked in mysterious circumstances, Joe begins to suspect that a predator is on the loose. Maybe the dark shapes he has seen in the woods and canal aren't just his imagination. Could the attacks in Joe's town be linked to his dad's research at the university? Could Dad's colleague have brought something back with him from the expedition in Mexico? Suddenly the search for justice becomes a desperate fight for survival.
The publication of Edward Said’s Orientalism in 1978 marks the inception of orientalism as a discourse. Since then, Orientalism has remained highly polemical and has become a widely employed epistemological tool. Three decades on, this volume sets out to survey, analyse and revisit the state of the Orientalist debate, both past and present. The leitmotiv of this book is its emphasis on an intimate connection between art, land and voyage. Orientalist art of all kinds frequently derives from a consideration of the land which is encountered on a voyage or pilgrimage, a relationship which, until now, has received little attention. Through adopting a thematic and prosopographical approach, and attempting to locate the fundamentals of the debate in the historical and cultural contexts in which they arose, this book brings together a diversity of opinions, analyses and arguments.