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Considers the intersection of aesthetics, politics and metaphysics in Borges's texts, and analyzes their interaction with the North American canon.
This collection of essays suggests new ways of looking at the intertwining of political and religious agonies in the period 1914-1991. The long 'European civil war' revealed that Europe, far from being formed by a one-track progression, has followed several tracks or fault lines, leading to a number of contrasts in European self-perception.
Explores the hidden political and ethical dimensions of the work of Samuel Beckett, an author who might otherwise be considered indifferent to such considerations.
In a world devoid of rites of passage, Ezra Buckley finds himself confronted with the genuine prospect of having a life-changing, Liminal experience in the woods of Big Sur. What is it that he experiences? Is it the legendary Watchers of Big Sur phenomena or something else? Will he survive it? Is it even real? Xen is a work that confronts the questions of identity, modernity, life, the other, and the place for rites of passage in the modern world. “…wildly creative experiments with form…through a down-to-earth lens and with a sense of humor. … I felt spoken to many times as Ezra articulated his own frustrations with life and with his own expectations of the world.” – DAVID AMITO,...
Since the end of the last dictatorship in 1983, Argentina’s visual artists and art-activists have been central to campaigns to demand the criminal prosecution of those initially granted amnesty and to a variety of commemorative projects. In The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina Vikki Bell examines this involvement and intervention. She argues that the problematics that arise within the aesthetic realm cannot be understood solely through an art-historical approach; instead, they must be understood as a constitutive part of a broader collective endeavour. In this sense, the ‘art’ of post-dictatorship is not something that belongs to art or the artists themselves, but is about how the subjectivities and imaginations of new generations are constituted and entwined with questions of response, ethics and justice. It concerns how people align themselves between the past and the future. This book will be an invaluable resource for those studying the law, politics, art and sociology of contemporary Argentina as well as those concerned more widely with transitional justice and the politics of memory.
Tools for navigating today's hyper-connected, rapidly changing, and radically contingent white water world. Design Unbound presents a new tool set for having agency in the twenty-first century, in what the authors characterize as a white water world—rapidly changing, hyperconnected, and radically contingent. These are the tools of a new kind of practice that is the offspring of complexity science, which gives us a new lens through which to view the world as entangled and emerging, and architecture, which is about designing contexts. In such a practice, design, unbound from its material thingness, is set free to design contexts as complex systems. In a world where causality is systemic, ent...
Readers who are intrigued, though often mystified, by the intellectual fantasies of Jorge Luis Borges will find this book a revelation, a skeleton key to one of the most fundamental and baffling aspects of Borges’s fictions: the pattern of symbolism with an inner meaning. Carter Wheelock’s study reduces a number of literary and intellectual abstractions to concrete terms, enabling the reader to understand Borges’s fantasies in ways that show them to be not so fantastic after all. Indeed, they are amazingly consistent and minutely accurate in their symbolic depiction of the magic universe of the mind. Wheelock also discusses the affinity between Borges’s philosophical idealism and his...
Statio Numero: an interdisciplinary media experience. This limited series is the third and final act of The Liminal Cycle, a meta-trilogy. Knowledge of Liminal and Xen, which make up the first two parts of the trilogy, will be necessary for understanding this work. Statio Numero A product plan left behind documents the creator’s descent into a parallel world or maybe simply madness. A story about persona, identity, liminality, and voice.
This book brings together the work of several scholars to shed light on the Argentine author Jorge Luis Borges' complex relationship with language and reality. A critical assumption driving the work is that there is, as Jaime Alazraki has put it, 'a genuine effort to overcome the narrowness that Western tradition has imposed as a master and measure of reality' in Borges' writing. That narrowness is in large measure a consequence of the chronic influence of positivist approaches to reality that rely on empirical evidence for any authentication of what is 'real'. This study shows that, in opposition to such restrictions, Borges saw in fiction, in literature, the most viable means of discussing reality in a pragmatic manner. Moreover, by scrutinising several of the author's works, it establishes signposts for considering the truly complicated relationship that Borges had with reality, one that intimately associates the 'real' with human perception, insight and language.
Jorge Luis Borges is one of the key writers of the twentieth century in the context of both Hispanic and world literature. This Companion has been designed for keen readers of Borges whether they approach him in English or Spanish, within or outside a university context. It takes his stories and essays of the forties and fifties, especially Ficciones and El Aleph, to be his most significant works, and organizes its material in consequence. About two thirds of the book analyzes the stories of this period text by text. The early sections map Borges's intellectual trajectory up to the fifties in some detail, and up to his death more briefly. They aim to provide an account of the context which will allow the reader maximum access to the meaning and significance of his work and present a biographical narrative developed against the Argentine literary world in which Borges was a key player, the Argentine intellectual tradition in its historical context, and the Argentine and world politics to which his works respond in more or less obvious ways. STEVEN BOLDY is Reader in Latin American Literature at the University of Cambridge.