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A collection of modern Hebrew poetry that presents the poems in the original Hebrew, with an English phonetic transcription. In this new and expanded edition of a classic volume first printed in 1965, The Modern Hebrew Poem Itself adds the dynamic voices of a new generation of Hebrew poets. Each poem appears in both its original Hebrew and an English phonetic transcription, along with extensive commentary and a literal English translation. This offers readers who know little or no Hebrew a way to experience the poem in a multi-faceted way--they are able to speak and hear the lines as well as grasp the poem's meaning. Recognizing that poems have a unique order that may be missed by a reader who doesn't speak the poet's language, the editors provide the reader with an understanding of not only what the poet is saying, but how the idea is communicated. Also included in the volume is a valuable introduction to and historical overview of Hebrew poetry from 1880-1990. The Modern Hebrew Poem Itself is a must-have for lovers of poetry and Jewish literature.
The effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. Sanctuary in...
The Companion to Jewish Culture - From the Eighteenth Century to the Present was first published in 1989. It is a single-volume encyclopedia containing biographical and topic entries ranging from 200 to 1000 word each.
The Reader's Guide to Judaism is a survey of English-language translations of the most important primary texts in the Jewish tradition. The field is assessed in some 470 essays discussing individuals (Martin Buber, Gluckel of Hameln), literature (Genesis, Ladino Literature), thought and beliefs (Holiness, Bioethics), practice (Dietary Laws, Passover), history (Venice, Baghdadi Jews of India), and arts and material culture (Synagogue Architecture, Costume). The emphasis is on Judaism, rather than on Jewish studies more broadly.
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Does David Still Play Before You? explores the ways that contemporary Israeli poets have made use of images from the Bible in their poetry. Does David Still Play Before You? explores the ways that contemporary Israeli poets have made use of images from the Bible in their poetry. Through close readings of fifty poems, featured in their original Hebrew and in English translation, David Jacobson studies how Israeli poets respond to and incorporate the Bible in their work and reflect on the presence of the Bible in contemporary Israeli culture. The book provides a stunning collection of powerful and moving voices. Jacobson organizes the works according to subjects that recur with great frequency in Israeli poetry based on the Bible: the Arab-Israel conflict, responses to the Holocaust, relations between men and women, and modern challenges to traditional religious faith. Jacobson's literary analysis is informed by an astute awareness of the role of the Bible in Israeli culture. This volume is the first comprehensive study of the use of the Bible by Israeli poets, a phenomenon that is central to the development of Israeli poetry.
Diasporic Modernisms illuminates the formal and historical aspects of displaced Jewish writers--S. Y. Abramovitsh, Yosef Chaim Brenner, Dovid Bergelson, Leah Goldberg, and others--who grappled with statelessness and the uncertain status of Yiddish and Hebrew.
Growing out of a conference held at Cornell U. in 1986, this collection of essays exploring the representation of the Jew in the Western world investigates the role of the Jew as the ultimate other in Europe and in the parts of the world colonized by Europeans, and follows the shift from Semitism. Annotation copyrighted by Book News, Inc., Portland, OR