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Ezza Agha Malak
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Women and Knowledge in the Mediterranean
Women in the Mediterranean have helped constitute new meanings of knowledge whilst simultaneously providing a wealth of material that is now part of the knowledge archive of the area. The inception of types of knowledge that differ from the conventional necessitates a re-definition of the concept of ‘knowledge,’ an issue which is addressed in this volume. Employing a range of theories and methodologies, this book explores four main domains in which women’s knowledge is attested: women and written knowledge; women and oral knowledge; women and legal, religious, and economic knowledge; and women and media knowledge. By presenting untapped women’s expressions of knowledge in these domains, this book opens new avenues of research in fields such as sociology, history and literature, amongst others. This book will be an invaluable resource for students and scholars of the Middle East, Women and Gender studies and Mediterranean Studies.
Ecriture romanesque et formes littéraires dans l'oeuvre de Ezza Agha Malak
Cet ouvrage collectif contient les contributions de 24 chercheurs de plusieurs pays, jetant la lumière sur des recoins de la pensée de l'écrivaine libanaise d'expression française Ezza Agha Malak, en pénétrant au coeur de ses nouveaux écrits romanesques. Il propose plusieurs axes de réflexions à travers des contextes socio-confessionnels, psychologiques, socio-politiques et dégage la fonctionnalité de l'écriture du post-modernisme. Il s'agit du 6è ouvrage portant sur l'oeuvre de l'écrivaine libanaise.
French XX Bibliography
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
Arab Women Writers
Arab women's writing in the modern age began with 'A'isha al-Taymuriya, Warda al-Yaziji, Zaynab Fawwaz, and other nineteenth-century pioneers in Egypt and the Levant. This unique study-first published in Arabic in 2004-looks at the work of those pioneers and then traces the development of Arab women's literature through the end of the twentieth century, and also includes a meticulously researched, comprehensive bibliography of writing by Arab women. In the first section, in nine essays that cover the Arab Middle East from Morocco to Iraq and Syria to Yemen, critics and writers from the Arab world examine the origin and evolution of women's writing in each country in the region, addressing fi...
La paix, l'amour et rien d'autre
"Un Juif, une Musulmane : il n'y avait pas beaucoup de chances pour que des relations profondes, conscientes, s'établissent entre eux. Et pourtant ! L'auteur nous livre l'histoire de leurs peuples respectifs, qui ne furent pas toujours des frères ennemis [...]. Le thème utilisé est universel. Cependant, son développement est unique. Toutes les histoires d'amour sont uniques, surtout si elles côtoient les actualités politiques..." (Léonard Bolduc).
Native Tongue, Stranger Talk
Can a reality lived in Arabic be expressed in French? Can a French-language literary work speak Arabic? In Native Tongue, Stranger Talk Hartman shows how Lebanese women authors use spoken Arabic to disrupt literary French, with sometimes surprising results. Challenging the common claim that these writers express a Francophile or "colonized" consciousness, this book demonstrates how Lebanese women writers actively question the political and cultural meaning of writing in French in Lebanon. Hartman argues that their innovative language inscribes messages about society into their novels by disrupting class-status hierarchies, narrow ethno-religious identities, and rigid gender roles. Because the languages of these texts reflect the crucial issues of their times, Native Tongue, Stranger Talk guides the reader through three key periods of Lebanese history: the French Mandate and Early Independence, the Civil War, and the postwar period. Three novels are discussed in each time period, exposing the contours of how the authors "write Arabic in French" to invent new literary languages.
Oeuvre francophone et identité transculturelle
Cet ouvrage se présente comme un outil au service de ceux qui s'intéressent à la littérature francophone en général et à l'exploration du monde féminin en particulier. La richesse majeure de ce collectif réside dans les regards de ses réalisateurs. Universitaires, journalistes, ingénieurs d'études, critiques littéraires, enseignants du FLS et FLE interrogent et explorent, à travers des perspectives variées, les dessous, la typograpghie et les enjeux de l'oeuvre de l'écrivaine Ezza Agha Malak.
