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George Moore: Across Borders
A truly cosmopolitan Irish writer, George Moore (1852-1933) was a fascinating figure of the fin de siècle, moving between countries, crossing genre and medium boundaries, forever exploring and promulgating aesthetic trends and artistic developments: Naturalism in the novel and the theatre, Impressionism in painting, Decadence and the avant-garde, Literary Wagnerism, the Irish Literary Revival, New Woman culture. This volume on border-crossings offers a variety of critical perspectives to approach Moore’s multifaceted oeuvre and personality. The essays by Contributors from various national backgrounds and from a wide range of disciplines establish original points of contact between literary creation, art history, Wagnerian opera, gender studies, sociology, and altogether reposition Moore as a major representative of European turn-of-the-century culture.
George Moore
This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle sto...
Re-Reading the Age of Innovation
The period of 1830–1950 was an age of unprecedented innovation. From new inventions and scientific discoveries to reconsiderations of religion, gender, and the human mind, the innovations of this era are recorded in a wide range of literary texts. Rather than separating these texts into Victorian or modernist camps, this collection argues for a new framework that reveals how the concept of innovation generated forms of literary newness that drew novelists, poets, and other creative figures working across this period into dialogic networks of experiment. The 14 chapters in this volume explore how inventions like the rotary print press or hot air balloon and emergent debates about science, trade, and colonialism evolved new forms and genres. Through their examinations of a wide range of texts and writers—from well-known novelists like Conrad, Dickens, Hardy, and Woolf, to less canonical figures like Charlotte Mew, Elías Mar, and Walter Frances White—the chapters in this collection re-read these texts as part of an age of innovation characterized not by division and divide, but by collaboration and community.
2006
Die IBOHS verzeichnet jährlich die bedeutendsten Neuerscheinungen geschichtswissenschaftlicher Monographien und Zeitschriftenartikel weltweit, die inhaltlich von der Vor- und Frühgeschichte bis zur jüngsten Vergangenheit reichen. Sie ist damit die derzeit einzige laufende Bibliographie dieser Art, die thematisch, zeitlich und geographisch ein derart breites Spektrum abdeckt. Innerhalb der systematischen Gliederung nach Zeitalter, Region oder historischer Disziplin sind die Werke nach Autorennamen oder charakteristischem Titelhauptwort aufgelistet.
George Moore
The Irish writer George Moore (1852-1933) was a very significant and often controversial figure on the literary stages of Paris, London and Dublin at a key cultural moment. Between 1880 and 1931, his creative involvements included spells with literary theatres in London and Dublin, jousts with the daring and repression of the fin de siècle, and a hail-and-farewell to Yeats and the Irish Revival. This collection of essays offers fresh insights into diverse elements of his œuvre and reflects some of the wide variety in Moore’s literary innovations, influences and legacy. Contributors note his pioneering contributions to the short story, his penetrating insights into Greek classical literat...
Sexual Restraint and Aesthetic Experience in Victorian Literary Decadence
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
Modernity and Postmodernity in a Franco-Irish Context
French writers and intellectuals were to the forefront when it came to theorizing the concepts of modernity and postmodernity, and thus such a theme was considered appropriate for this, the second volume in the Studies in Franco-Irish Relations series. The postmodern Irish socio-cultural paradigm is interrogated through the lens of French thought. What is equally interesting is that Irish contexts can also help shed light on the French situation as the processes of secularisation and multicultural diversity, part of the French experience since the 1950s, begin to take root in a society that has become one of the most globalised in the Western world. The interchange and dialogue between the two cultures throws up a panoply of insights that have the capacity to be enriching for both societies.
France-Ireland
France - Ireland: Anatomy of a Relationship, with a Preface by Professor Joe Lee, is a selection of essays that seeks to explore the many links (spiritual, literary, cultural and historical) that exist between these two Gallic cousins. Figures dealt with in the book include John McGahern, Kate O'Brien, Oscar Wilde, John Broderick, George Moore, Maria Edgeworth, Daniel O'Connell, Wolfe Tone on the Irish side and Barthes, Derrida, Balzac, Flaubert, Julien Green, François Mauriac, Jean Sulivan, Paul Féval, Lamennais, Jean-Pierre Droz, Montalembert, Germaine de Staël among the French. Irish involvement in philosophical debates in France and their military exploits on French soil are also discussed. There is something in these essays for anyone with even a passing interest in Irish or French history, politics and literature.
Handbook of the English Novel, 1830–1900
Part I of this authoritative handbook offers systematic essays, which deal with major historical, social, philosophical, political, cultural and aesthetic contexts of the English novel between 1830 and 1900. The essays offer a wide scope of aspects such as the Industrial Revolution, religion and secularisation, science, technology, medicine, evolution or the increasing mediatisation of the lifeworld. Part II, then, leads through the work of more than 25 eminent Victorian novelists. Each of these chapters provides both historical and biographical contextualisation, overview, close reading and analysis. They also encourage further research as they look upon the work of the respective authors at issue from the perspectives of cultural and literary theory.
The Oxford Handbook of Modern Irish Fiction
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fic...
