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Strange and Non-Strange D-meson Production in pp, p-Pb, and Pb-Pb Collisions with ALICE at the LHC
This thesis provides a comprehensive view of the physics of charmed hadrons in high-energy proton-proton and heavy-ion collisions. Given their large masses, charm quarks are produced in the early stage of a heavy-ion collision and they subsequently experience the full system evolution probing the colour-deconfined medium called quark-gluon plasma (QGP) created in such collisions. In this thesis, the mechanisms of charm-quark in-medium energy loss and hadronisation are discussed via the measurements of the production of charm mesons with (Ds+) and without (D+) strange-quark content in different colliding systems, using data collected by the ALICE experiment at the CERN LHC. The participation of the charm quark and its possible thermalisation in the QGP are studied via measurements of azimuthal anisotropies in the production of D+ mesons. Finally, the prospects for future measurements with the upgraded ALICE experimental apparatus and with more refined machine learning techniques are presented.
Las cuerdas del arpa
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Antonio Del Grande
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Todi nel Medio Evo
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Adaptive design
Il corpo umano è in condizione di benessere quando si disperde, senza sforzo, una quantità di calore pari alla quantità prodotta dalle sue funzioni vitali, unitamente all’attività fisica svolta ad un dato momento. Quando l’organismo è artificialmente obbligato ad aumentare i meccanismi che producono e disperdono il calore, lo stress che ne deriva porta disagio, influendo negativamente sulle performatività dell’individuo. La temperatura più importante per il comfort termico è quella detta temperatura operativa, che tiene conto sia della temperatura dell’aria che della temperatura radiante, o le due letture che determinano la quantità di calore scambiato dal corpo umano per co...
Divination on stage
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
