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When Salma becomes pregnant before marriage in her small village in the Levant, her innocent days playing the pipe for her goats are gone for ever. She is swept into prison for her own protection. To the sound of her screams, her newborn baby daughter is snatched away. In the middle of the most English of towns, Exeter, she learns good manners from her landlady, and settles down with an Englishman. But deep in her heart the cries of her baby daughter still echo. When she can bear them no longer, she goes back to her village to find her. It is a journey that will change everything - and nothing. Slipping back and forth between the olive groves of the Levant and the rain-slicked pavements of Exeter, My Name is Salma is a searing portrayal of a woman's courage in the face of insurmountable odds.
Pillars of Salt is the story of two women confined in a mental hospital in Jordan during and after the British Mandate. After initial tensions they become friends and share their life stories.
A father sets out to save the Islamic world. A daughter sets out to save herself. Najwa's father left when she was four years old. Now, upon her mother's death, she cannot live alone in the Islamic society of Jordan. She must find her father. Her search takes her through new dangers as she becomes swept up with a mysterious organization which sends her into the mountains of Afghanistan. For her father, this same journey was made as a wrenching sacrifice for the sake of his beliefs. Yet his experience in the desert transformed his life forever. Now it transforms Najwa's, as she is compelled to follow in his footsteps: from a heartbreaking secret in Afghanistan all the way to a revelation in Britain.
A father sets out to save the Islamic world. A daughter sets out to save herself. Najwa's father left when she was four years old. Now, upon her mother's death, she cannot live alone in the Islamic society of Jordan. She must find her father. Her search takes her through new dangers as she becomes swept up with a mysterious organization which sends her into the mountains of Afghanistan. For her father, this same journey was made as a wrenching sacrifice for the sake of his beliefs. Yet his experience in the desert transformed his life forever. Now it transforms Najwa's, as she is compelled to follow in his footsteps: from a heartbreaking secret in Afghanistan all the way to a revelation in Britain.
From established literary heavyweights to emerging spoken word artists, the writers in this ground-breaking collection blow away the narrow image of the 'Muslim Woman'. Hear from users of Islamic Tinder, a disenchanted Maulana working as a TV chat show host and a plastic surgeon blackmailed by MI6. Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo.From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be.
Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same 'hybrid', 'exilic', and 'diasporic' que...
Intended to complement the novels in the "Arab Women Writers" series, this is a collection of autobiographical writings by 13 leading Arab women authors. They describe their experiences and describe the often difficult conditions under which their narratives were written.
In her Muslim hijab, with her down-turned gaze, Najwa is invisible to most eyes, especially to the rich London families whose houses she cleans. But twenty years earlier it was a different story. Najwa was at university in Khartoum and, as an upper-class westernised Sudanese, her dreams were to marry well and raise a family. However, those days of innocence came to an abrupt end and tough years followed. Now Najwa finds solace in her visits to the Mosque, the companionship of the Muslims she meets there and in the hijab she adopts. Her dreams may have shattered but her awakening to Islam has given her a different peace. Then Najwa meets a younger man and slowly they begin to fall in love ...
This book considers the ways in which madness has been portrayed in writing by women writers. It readdresses the madwoman trope, opening up multiple sites of literary madness, examining places and spaces outside of the ‘madwoman in the attic.’ In particular, a transnational approach sets itself up against a Eurocentric approach to literary madness. Women novelists from the Brontës to the Indian writer Arundhati Roy and Arab writers Fadia Faqir and Miral al-Tahawy interrogate patriarchal societies and oppressive cultures. Female characters who suffer from madness are strikingly similar in their revolutionary subversion of patriarchal environments.
This concise study argues there is a qualitative difference between Arabic literature, Arabic literature translated into English, and a literature conceived and executed in English by writers of an Arab background. It examines the corpus of a group of contemporary Arab writers who incorporate Arab subjects and themes into the English language.