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The Implementation of Free, Prior and Informed Consent and Indigenous Peoples’ Rights under the OECD Guidelines for Multinational Enterprises
Corporations have become powerful actors exerting increasing influence on society and the living conditions of individuals worldwide, including indigenous peoples. While it is recognized that corporations have a responsibility to respect indigenous peoples’ rights and the important safeguard concept of free, prior and informed consent (FPIC), it is rather unclear what such a corporate responsibility entails from a legal perspective. This doctoral thesis thoroughly analyses the regulatory framework pertaining to indigenous peoples and corporations as well as the ‘case law’ of the OECD National Contact Points (NCPs). Based on this analysis, the thesis identifies currently applied features of indigenous peoples’ rights and FPIC in relation to corporate actors, determines shortcomings in the regulatory framework and the ‘jurisprudence’ of the NCPs, and makes suggestions for possible improvements.
Recht und Innovation
Innovationen prägen die Gesellschaft und wandeln fortlaufend unseren Alltag. Gleichzeitig verlangen heutige Herausforderungen wie Klimawandel, Globalisierung und Digitalisierung nach innovativen Lösungen. Das Recht wird durch Innovationen oft herausgefordert, kann aber selbst auch innovativ sein. Der 21. APARIUZ-Band widmet sich der vielfältigen Wechselbeziehung zwischen Innovation und Recht in seiner ganzen Breite und fragt, wie das Recht die Gratwanderung zwischen Innovation und Rechtssicherheit schafft, als Innovationsförderer agiert und mit innovationsinduzierten Risiken umgeht. Die Beiträge selbst zeichnen sich durch ihre innovativen und interdisziplinären Ansätze aus. Die APARIUZ-Reihe ist ein Projekt des wissenschaftlichen Nachwuchses des Rechtswissenschaftlichen Instituts Zürichs.
The Tony Winners
A sampling of ten winners through three decades, beginning with the first, Mister Roberts (1948), to one of the most recent, The River Niger (1974).
World Biography
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On Stage with Bette Davis
A reflection on one of Broadway's most iconic flops, this memoir follows a musical that featured one of the silver screen's most powerful personalities. Bette Davis was nominated for twelve Academy Awards and twice won the Best Actress award, starring in classics like Jezebel, The Letter, The Little Foxes, All About Eve and Whatever Happened to Baby Jane?, among many more. In 1974, the living legend agreed to star in Miss Moffat, a musical adaptation of Emlyn Williams' The Corn in Green. Expectations were high, but Miss Moffat opened and then abruptly closed, leading theatre gossips to speculate on what went wrong. Early in his career, Kevin Lane Dearinger, a young actor who had recently relocated to New York, landed a minor role in Miss Moffat. Inexperienced and unsure of himself, he kept a journal of his observations and experiences throughout production. He observed the older and more seasoned Miss Davis, who seemed determined to remain clear-headed despite the unfolding calamity. In this book, Dearinger revisits his journal to reflect on his own life, a fated stage production, his experience with an entertainment legend and a bygone era of Broadway.
Annual Report
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The Journals of William E. McLellin, 1831-1836
William Earl McLellin (1806-1883) was born in Smith County, Tennessee. He married Cinthia Ann in 1829 in Illinois. She died in about 1830-1831 in childbirth. In 1831 William joined the LDS Church and went on several missions. In 1832 he was excommunicated for a short time but was rebaptized and, in 1835, was one of the first members of the Twelve Apostles. By this time he had married Emeline Miller they had six children. He and his family settled in Jackson County, Missouri and suffered the persecutions against the Mormons. By late 1836 William and his family had left the LDS Church and settled in Illinois for a short time before returning to Missouri.
The Annual Obituary
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