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Modern British Farce
A study of the popular modern dramatists and the continuity of the farce tradition from Pinero to Travers, the Whitehall team and Orton which examines and questions some of the common assumptions about its nature. Farce techniques are shown to be increasingly used in serious drama.
Modern British Farce
Contents: The Nature of Farce; A.W. Pinero and the Court Farces; Ben Travers and the Aldwych Farces; Brian Rix and the Whitehall Farces; Post-Whitehall Farces; Joe Orton; Farce and Contemporary Drama: I; Farce and Contemporary Drama: II; Conclusion; ^R Appendix: a Chronological List of Plays; Notes; Bibliography; Index
Four Farces
Wild plots and quicksilver wit characterize the plays of Georges Feydeau. Called the greatest master of French comedy since Moliere by admirers such as Kenneth Tynan, Feydeau reflects the lusty tradition of the French bedroom farce as well as the tough exorbitant humor later to find full expression in the theater of the absurd. The plays offered in this volume represent the major stages of Feydeau's career. The one-act Wooed and Viewed was his first comedy, written in 1880. On the Marry-go-Wrong shows Feydeau on the way to becoming a master of mad imbroglio, a talent that he demonstrates in Not by Bed Alone. Going to Pot is a one-act play of conjugal strife of the emotional intensity that marked his work toward the end of his career.
Three Farces and a Comedy
In a writing career of over 60 years, Ben Travers is regarded as the master of the ‘Aldwych Farces’. This collection is being published at a time where farces are coming back into fashion following the smash hit of One Man Two Guvnors, and the success of The Magistrate both at the National Theatre, as well as the recent productions of Noises Off and What the Butler Saw. The four plays in this collection are representative of Travers’ work at its best and most characteristic.The plays include the classic farces Rookery Nook (1926), Thark (1927), Plunder (1927) & The Bed Before Yesterday (1977).Several of these plays have enjoyed modern revivals, Plunder in 1977 at the National Theatre, and Rookery Nook in 2009 at the Menier Chocolate Factory.
Immaculate Deception and Further Ribaldries
Did you hear the one about the Mother Superior who was so busy casting the first stone that she got caught in flagrante delicto with her lover? What about the drunk with a Savior complex who was fool enough to believe himself to be the Second Coming? And that's nothing compared to what happens when comedy gets its grubby paws on the confessional. Enter fifteenth- and sixteenth-century French farce, the "bestseller" of a world that stands to tell us a lot about the enduring influence of a Shakespeare or a Molière. It's the sacrilegious world of Immaculate Deception, the third volume in a series of stage-friendly translations from the Middle French. Brought to you through the wonders of Open ...
