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Modernism and the Art of Muslim South Asia
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by t...
Muslim Enlightened Thought in South Asia
Muslim Enlightened Thought in South Asia is an engaging history of the enlightened liberality of modern Muslim poets, philosophers, educationists, novelists, historians, artists and public intellectuals who drew on a long Muslim intellectual tradition beyond the “Western” liberalism of empire. Interpreting the pathbreaking contributions of an array of creative Muslim figures, the book challenges the view portraying them as exemplars of an insular and defensive “apologetic modernity”. It highlights a strand of Muslim thought and liberality of mind that has been ignored by scholars obsessed with dire and dour theologians. This book questions both the presumptions of historians of liber...
How Secular Is Art?
As an invitation to interrogate the secular modality of art, the book unsettles both the categories of 'art' and 'secular' in their theoretical and historical implications. It questions the temporal, spatial and cultural binaries between the 'sacred' and the 'secular' that have shaped art historical scholarship as well as artistic practice. All the essays here are anchored in a conception of a region, whether we call it South Asia or the Indian subcontinent – one, fissured by histories of partition, state formations and religious nationalisms, but still offering a collective site from which to speak to the disciplines of art and the knowledge worlds in which they are embedded. The book asks: How do we complicate the religious designations of pre-modern art and architecture and the new forms of their resurgence in contemporary iconographies and monuments? How do we re-conceptualize the public and the political, as fiery contestations and new curatorial practices reconfigure the meaning of art in the proliferating spaces of museums, galleries, biennales and festivals? How do we understand South Asian art's deep entanglements with the politics of the present?
Sadequain
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Discrepant Abstraction
How the formal ingenuity of abstract art has been cross-fertilized by creative discrepancies—a cross-cultural voyage stretching from Hong Kong and Islamic regions to Canada, Australia, Europe, and the United States. For anyone who thinks the question of abstract art is settled, this book will come as a surprise. Discrepant abstraction is hybrid and partial, elusive and repetitive, obstinate and strange. It includes almost everything that does not neatly fit into the institutional narrative of abstract art as a monolithic quest for artistic purity. Exploring cross-cultural scenarios in twentieth-century art, this second volume in the Annotating Art's Histories series alters our understandin...
Federal Register
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Hanging Fire
Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the "contemporary miniature" tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective. The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today. Distributed for the Asia Society Museum Exhibition Schedule: Asia Society and Museum (9/10/09 - 1/3/10)
Iranian Contemporary Art
Published to accompany the exhibition at the Curve Gallery, Barbican Centre, London, 12 April - 3 June 2001.
The Calligraphic State
"Throws completely fresh light on non-colonial yet modern systems of legality and moral power. . . . The picture given of Islamic legal education and practice is one of the best available . . . a compelling read and a fine book for teaching."—Paul Dresch, Oxford University
