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This book develops an original theory of performative beauty. Philosophical aesthetics has largely neglected one’s own actions as a potential experience of the beautiful. Throughout the book, the author uses his own experiences of Argentine tango as a case study; one important incentive for social dancing is to have pleasurable and beautiful experiences. This book begins by investigating the methodological causes for why beauty in modernity has been seen to result only from contemplating external objects. It then builds a theory of performative beauty that incorporates findings from new phenomenology, neuroaesthetics, enactivism, and somaesthetics and that reassesses existing inquiries of ...
Collects early short stories by the Israeli author, on various topics including war, relationships, and aging.
A provocative book that shows us why we must put American history firmly in a global context–from 1492 to today. Immerse yourself in an insightful exploration of American history in A Nation Among Nations. This compelling book by renowned author Thomas Bender paints a different picture of the nation's history by placing it within the broader canvas of global events and developments. Events like the American Revolution, the Civil War, and subsequent imperialism are examined in a new light, revealing fundamental correlations with simultaneous global rebellions, national redefinitions, and competitive imperial ambitions. Intricacies of industrialization, urbanization, laissez-faire economics, capitalism, socialism, and technological advancements become globally interconnected phenomena, altering the solitary perception of these being unique American experiences. A Nation Among Nations isn’t just a history book–it's a thought-provoking journey that transcends geographical boundaries, encouraging us to delve deeper into the globally intertwined series of events that spun the American historical narrative.
Butterfly Burning brings the brilliantly poetic voice of Zimbabwean writer Yvonne Vera to American readers for the first time. Set in Makokoba, a black township, in the late l940s, the novel is an intensely bittersweet love story. When Fumbatha, a construction worker, meets the much younger Phephelaphi, he"wants her like the land beneath his feet from which birth had severed him." He in turn fills her "with hope larger than memory." But Phephelaphi is not satisfied with their "one-room" love alone. The qualities that drew Fumbatha to her, her sense of independence and freedom, end up separating them. And the closely woven fabric of township life, where everyone knows everyone else, has a mesh too tight and too intricate to allow her to escape her circumstances on her own. Vera exploits language to peel away the skin of public and private lives. In Butterfly Burning she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.
Those aren't stars, darling That's your nervous system Nanna didn't take you to planetariums like this --from "Hyper-Berceuse: 3 A.M." August Kleinzahler's new poems stretch and go places he has never gone before: they have his signature high color and rhythmic jump, but they take on a breadth of voice and achieve registers that his earlier work only hinted at. Ranging from Vegas and Mayfair to the Asian steppes and contemporary Berlin, these poems touch down at will in tableaux where Liberace unceremoniously meets with St. Kevin and Attila with Zsa Zsa Gabor. Surprise after surprise, nothing seems to lie outside Kleinzahler's purview. This is the strongest collection to date from a poet with "the vision and confident skill to make American poetry new" (Clive Wilmer, The Times [London]).
Anne Lamott's poignant first novel, reissued in an attractive new edition. Writer (and sometime housecleaner) Jennifer is twenty-three when her beloved father, Wallace, is diagnosed with a brain tumor. This catastrophic discovery sets off Anne Lamott's unexpectedly sweet and funny first novel, which is made dramatic not so much by Wallace's illness as by the emotional wake it sweeps under Jen and her brothers, self-contained Ben and feckless, lovable Randy. With characteristic affection and accuracy, Lamott sketches this offbeat family and their nearest and dearest as they draw ever closer in the intimacy Jen prizes "among the other estimable things: good music, good hard laughter, good sex, good industry, and good books."
Johann Albrecht Widmanstetter (1506–1557), humanist and privy councillor to popes and kings, has remained an enigmatic figure among Christian Hebraists whose views were little understood. This study leverages Widmanstetter's remarkable collection consisting of hundreds of Jewish manuscripts and printed books, most of which survive to this day. Explore in the first half the story of Jewish book production and collecting in sixteenth-century Europe through Widmanstetter's book acquisitions, librarianship, and correspondence. Delve into his unique perspective on Jewish literature and Kabbalah as the latter half of the study contextualizes the marginal notes in his library with his published works.
In the twenty-first century, a developmental phase of life is emerging as significant and distinct, capturing our interest, engaging our curiosity, and expanding our understanding of human potential and development. Demographers talk about this new chapter in life as characterized by people—between fifty and seventy-five—who are considered "neither young nor old." In our "third chapters" we are beginning to redefine our views about the casualties and opportunities of aging; we are challenging cultural definitions of strength, maturity, power, and sexiness. This is a chapter in life when the traditional norms, rules, and rituals of our careers seem less encompassing and restrictive; when ...
This groundbreaking anthology will serve as the standard for years to come. Editor Michael Hofmann has assembled brilliant translations of the major German poets, from Rilke and Brecht to Durs Grunbein and Jan Wagner, in an approachable, readable, and endlessly interesting collection. Here we find poetry as a living counter-force to socio-political reality; poetry of dissent and fear and protest; poetry of private griefs and musics. From the subtlety and elegance of Brecht, to the extraordinary jargon-glooms of Gottfried Benn, to the oblique and straightforward responses to the country's villainous history, to the bitter, cleansed, and haunted poetry of the postwar years, the anthology ends with a reunified country looking at itself and its neighbors in new ways. This is an essential and timely collection of verse from a tumultuous, violent, tragic, and hopeful century, written in the language of those who were at the heart of the matter.