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Recite in the Name of the Red Rose
Recite in the Name of the Red Rose introduces Western readers toconstructions of the sacred in twentieth-century Iranian poetry. Siftingthrough the lives and writings of modern and classical poets, FatemehKeshavarz provides a systematic examination of the array of religiousimpulses in recent Persian verse. Viewing poetry as the site of theemergence of the self and the sacred, she confirms that sanctificationis not static in its forms but continuously in flux and that the poeticmodes used to articulate the sanctified are equally fluid. Keshevarzbegins by introducing the core concepts that define and detach religionand secularity in contemporary Iranian society.
Lyrics of Life
This imaginative and accessible study of the lyrical, humorous, social and educational aspects of classical Persian poetry focuses on the works of the master medieval poet Sa'di of Shiraz (d. 1291), one of the funniest, most influential and lyrical figures in classical Persian poetry. Sa'di, a prominent ethicist and a devout teacher of virtues, stands out for his worldliness, his practical teachings, and his love for living a wholesome life, as well as for his signature elegance and artistry that has compelled critics to call his lyrics perfectly polished diamonds.In a language deliberately free of technical jargon, Keshavarz argues for the versatility of Sa'di's poetic voice and portrays his notion of love as open to multiple perspectives including homoerotic aesthetics. She brings to life the worldly wisdom that kept the lyrical, adventurous, and ethical legacy of Sa'di fresh and effective through the passage of time.
Reading Mystical Lyric
Jalal al-Din Rumi, a towering figure in the Persian-speaking world, is currently the most widely published poet in English translation. Yet despite the popularity of his verse, the majority of scholarship on his work focuses not on Rumi's poetry but on his contributions as a mystic. Fatemeh Keshavarz's pioneering study is the first extensive critical examination of this vast, dynamic body of literature. Through close readings of the Divan, his collection of more than 35,000 lyric verses, she explores Rumi's extraordinary popular and critical literary success.
Reading Lolita in Tehran
#1 NEW YORK TIMES BESTSELLER • We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true. For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to sp...
Beloved
Hafez is one of the best known medieval Persian mystic poets, as celebrated and popular as his near contemporary Rumi. As with Rumi, modern translations have a strong appeal to today's readers. Both ardent mystic and lover, Hafez fuses earthly and divine love.
Reading Mystical Lyric
This text provides an extensive critical examination of Jalal al-Din Rumi's body of literature. Through close readings of the Divan, his collection of more than 35,000 lyric verses, it explores Rumi's popular and critical literary success.
The Minister of Disturbances
In his startling debut, The Minister of Disturbances, Zeeshan Pathan interrogates and subverts the calcified notions of identity (whether Islamic or American or human), the rules of citizenship, & the idea of the nation state. Unafraid of blending the lyrical and the political, he dramatizes the inner journey of the poet as his speakers confront world events including global climate change, the Afghan and Iraq wars, political conflicts from Egypt to India, American imperialism, the idea of the surveillance state, the aftermath of global terrorism, medical illness, displacement and exile. In love with Lorca and Thomas James, his poems seamlessly move from the romantic to the devastating. The ...
A Revolution in Rhyme
A Revolution in Rhyme: Poetic Co-option under the Islamic Republic tells the story of the lives and works of Iranian poets whose personal and literary career were shaped by the Iranian revolution in 1979. By drawing on similar examples, such as Soviet Russia, the book tries to tackle some key questions: how did these poets come to be known in the literary scene? What did they write about, and what were their ideas, styles, and literary techniques? And, last but not least, what kind of relationship have they established with the ruling power on the course of the past four decades? In a detailed study, Shams tackles the life and work of ten Iranian poets whose personal and literary lives transformed and were transformed by the 1979 Revolution and the rise of the Islamic Republic, shedding light on ways in which the current ruling state in Iran uses literature and particularly poetry as a tool for ideological dissemination.
Follow the Blackbirds
In language as perceptive as it is poignant, poet Gwen Nell Westerman builds a world in words that reflects the past, present, and future of the Dakota people. An intricate balance between the singularity of personal experience and the unity of collective longing, Follow the Blackbirds speaks to the affection and appreciation a contemporary poet feels for her family, community, and environment. With touches of humor and the occasional sharp cultural criticism, the voice that emerges from these poems is that of a Dakota woman rooted in her world and her words. In this moving collection, Westerman reflects on history and family from a unique perspective, one that connects the painful past and the hard-fought future of her Dakota homeland. Grounded in vivid story and memory, Westerman draws on both English and the Dakota language to celebrate the long journey along sunflower-lined highways of the tallgrass prairies of the Great Plains that returns her to a place filled with “more than history.” An intense homage to the power of place, this book tells a masterful story of cultural survival and the power of language.
Love at a Crux
Love at a Crux presents the emergence of versified love stories in the New Persian language as a crucial event in the history of romance. Using the tale of Vis & Rāmin (w. 1054) as its focal point, the book explores how Persian court poets in the eleventh century reconfigured "myths" and "fables" from the distant past in ways that transformed the love story from a form of evening entertainment to a method of ethical, political, and affective self-inquiry. This transformation both anticipates and helps to explain the efflorescence of romance in many medieval cultures across the western flank of Afro-Eurasia. Bringing together traditions that are often sundered by modern disciplinary boundaries, Love at a Crux unearths the interconnections between New Persian and comparable traditions in ancient and medieval Greek, Arabic, Georgian, Old French, and Middle High German, offering scholars in classics, medieval studies, Middle Eastern literatures, and premodern world literature a case study in literary history as connected history.
