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Beginning with the early interactions between Native Americans and European explorers and settlers, this history traces three and a half centuries of change in Fauquier County, Virginia. Commissioned by the Fauquier Historical Society to commemorate the county's 250th anniversary, this engrossing narrative tells the story of the men and women, black and white, who built the region's farms, plantations, schools, and churches. Individual biographies are interwoven with a social, political, and military history of the American Revolution and Civil War, allowing crucial events in the county's history to come alive. This book also explores Fauquier's depressed economy after the Civil War and shows how the area's location and natural beauty drew wealthy outsiders to purchase estates in the early part of the twentieth century. After midcentury, the enormous expansion of the Washington suburbs ignited a heated and ongoing debate over the county's position on growth and development. Related here is the fascinating story of a historically significant county. The volume has more than two hundred illustrations, some displaying the county's stunning beauty, which enhance the book throughout.
A Pride of Place, the result of a quarter-century’s worth of painstaking research and collection, presents the first comprehensive architectural and historic inventory of the widely diverse and irreplaceable rural residences of Fauquier County, Virginia. Hundreds of photographs and illustrations, each accompanied by informative text, provide a fascinating and helpful overview of the county’s rich architectural heritage.
Fauquier County, officially established in 1759, was named after Francis Fauquier and has long been known for its Civil War history, large farms, country estates, small towns including Warrenton and Marshall, and quaint villages including Upperville, Delaplane, and The Plains. Today its rural historic beauty and preserved open spaces lure Washingtonians away for day-trips and weekend retreats. Well-known industry baron Walter Chrysler, philanthropist Paul Mellon, and movie and television stars Robert Duvall and Willard Scott have all called Fauquier home.
Fauquier County, in Northern Virginia, was established in 1759. It was formed from Prince William County and was named for Virginia lieutenant governor Francis Fauquier. In 1790, there were 6,642 slaves in Fauquier County. By the eve of the Civil War, there were 10,455. From 1817 to 1865, the county was home to 845 free black people. The African American population declined at the end of Reconstruction, and by 1910, the white population was double that of blacks. The population imbalance continues today. Through centuries of slavery and segregation, Fauquier County's African American population survived, excelled, and prospered. This minority community established and supported numerous churches, schools, and businesses, as well as literary, political, and fraternal organizations that enhanced the quality of life for the entire county.
These abstracts of bonds were taken from loose bonds, minute books, and bond books.
Fauquier County, Virginia, Historical Notes by Fauquier County. This book is a reproduction of the original book published in 1914 and may have some imperfections such as marks or hand-written notes.
Given by Nancy McCraw Ross.
Excerpt from Fauquier County, Virginia: Historical Notes Fauquier County was named for Francis Fauquier, lieutenant-governor of the colony of Virginia from 1758 until his death in 1767. 'according to Mr. Jefferson he was the most intelligent and best beloved of the colonial governors. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.