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This collection arises from an international fashion conference held at Sapienza University in Rome, Italy, in May 2015. It is dedicated to one of the main indicators of social change, fashion, analysed within various scientific fields, historical periods, and geographical areas. It offers a comprehensive and detailed analysis of the world of clothes, starting from a historical perspective, religious clothes, and traditional costumes, and then exploring fashion theories and more recent approaches and developments in the media and advertisements. The book analyses the clothing of various cultures, including the Hittite peoples and the less explored fashion of Eastern Europe, and it deals with craft traditions and national costume in different areas, including China, Greece, Romania and Georgia. It also investigates the style of marginalized groups and youth movements and the interpretation of fashion in the studies and writings of sociologists, philosophers and linguists, such as Fausto Squillace and Christian Garve.
We know a lot about the sociology of fascism, but how have sociologists responded to fascism when confronted with it in their own lives? How courageous or compromising have they been? And why has this history been shrouded in silence for so long? In this major work of historical scholarship sociologists from around the world describe and evaluate the reactions of sociologists to the rise and practice of fascism.
First published in 1982. This is Volume X of Mannheim's collected works. The texts to be presented in this edition had been in the possession of the late Dr Paul Kecskemeti, who was a close associate of Karl Mannheim and a distinguished social scientist in his own right. The published version rests upon a photocopy of the typescripts, which Dr Kecskemeti allowed to be made some years ago.
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Italians found another way to engage with Shakespeare besides opera. In 1923, Italian intellectual Piero Gobetti wrote that his age would be remembered as a curious chapter in the reception history of Shakespeare, when the Bard got entangled with ideas of criminal anthropology. In fact, the uses of Shakespeare by Lombroso’s school are now forgotten. In the second half of the nineteenth century, Shakespeare began to be portrayed as a genius who anticipated the findings of the Italian Positivist School, or, alternatively, as an authority who could debunk them. Shakespeare’s own psyche and the characters of his plays were explored and pathologised. These studies occasionally percolated into the practices of courthouses, prisons, hospitals, and asylums, and had an impact on the performance of Shakespeare’s plays. This volume provides an edition of hitherto uncollected primary sources which document these uses of Shakespeare. Each text has a parallel English translation, and is introduced by a preface providing details about the context and its main discursive stances. The volume also features a critical introduction and explanatory notes.
This is a translation of Ernst Troeltsch's last (1923) major work. It is an exhaustive study of the methods of historiography and of German, French, English, and Italian philosophies of history during the nineteenth century. It is motivated by the purpose of developing the proper concept of historical development, for overcoming "bad" historicism (i.e., unlimited relativism) with "good" historicism (with relativity, not relativism), and determining how values drawn from history can be used to shape the future. It concludes with a sketch of the unwritten second volume on the material philosophy of history.
This ambitious three-volume biography on Gissing examines both his life and writing both chronologically and in close detail. This final volume in Coustillas’s prodigious biography examines the turbulent last years of the author’s life and his literary afterlife.