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This path-breaking book extends our knowledge of the social and cultural impacts of television, asking new questions about the ways television’s technologies and programming have been experienced, understood and remembered. Television has served as a companion to the historical events that have unfolded in our everyday lives both on and off the screen, and its presence is intricately bound up in our memories of the past and actions in the present. As this volume demonstrates, the influence of television over individual and family behaviours, national identity and ideas of global citizenship is complex and wide-ranging. Drawing upon recent developments in memory studies, history, media and ...
Max Crawford was one of Australia's pre-eminent historians. As both a participant in and observer of many decisive episodes of the era; Europe in the midst of the Depression, America and Russia at the height of World War II, post-war reconstruction and the Cold War in Australia, Crawford was regarded as a radicalandsbquo; and outspoken defender of intellectual autonomy. This biography considers Crawford as an historian and a public intellectual. It relates his experiences as a student at Sydney and Oxford, a struggling teacher during the Depression, as the head of the History School at the University of Melbourne, a diplomat in wartime Russia, and a Cold War victim and accuser. The study of ...
This second issue of the book series Visual Politics of War focuses on the implications and uncertainties associated with the ‘visual politics’ of the current media hostile environment. Over the years, academics, journalists and individuals have produced a body of work connected directly, if in complex and varied ways, to contemporary ideological beliefs. This volume draws together various scholars from different parts of the world examining facets of the new visualization of wars and crisis in a range of innovative ways. All the contributors here pose questions concerned with the significance of visual political works today, and ask how images and personas have developed and been appropriated by others with their own distinct political agendas.
Witnesses to War is a landmark history of Australian war journalism covering the regional conflicts of the nineteenth century to the major conflicts of the twentieth: World War I, World War II, Vietnam and Bosnia through to recent and ongoing wars in Iraq and Afghanistan. Fay Anderson and Richard Trembath look at how journalists reported the horrors and politics of war, the rise of the celebrity journalist, issues of censorship and the ethics of ‘embedding’. Interviews with over 40 leading journalists and photographers reveal the challenges of covering wars and the impact of the violence they witness, the fear and exhilaration, the regrets and successes, the private costs and personal dangers. Witnesses to War examines issues with continued and contemporary relevance, including the genesis of the Anzac ideal and its continued use; the representation of enemy and race and how technology has changed the nature of conflict reporting.
This text gives biographical accounts of the leading plant collectors and their activities in Southern Africa from the days of the East India Company until modern times.
Includes the decisions of the Supreme Courts of Massachusetts, Ohio, Indiana, and Illinois, and Court of Appeals of New York; May/July 1891-Mar./Apr. 1936, Appellate Court of Indiana; Dec. 1926/Feb. 1927-Mar./Apr. 1936, Courts of Appeals of Ohio.
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In late 1945, Australia eagerly put up its hand to join the American-led military occupation of war-devastated Japan: the old enemy was still hated, yet the Australian involvement was motivated by ideals of democratic reconstruction rather than retribution. In the age of Iraq, when Australia has again participated in a US occupation of a “rogue” non-Western state humbled in war, it is time to consider troubling questions surrounding the nation’s engagement in contentious overseas occupations. Can Western conceptions of democracy be imposed militarily on other societies? To what extent has Australia’s willingness to support the United States been an expression of independent policy-ma...
Manning Clark was a complex, demanding and brilliant man. Mark McKenna's compelling biography of this giant of Australia's cultural landscape is informed by his reading of Clark's extensive private letters, journals and diaries-many that have never been read before. An Eye for Eternity paints a sweeping portrait of the man who gave Australians the signature account of their own history. It tells of his friendships with Patrick White and Sidney Nolan. It details an urgent and dynamic marriage, ripped apart at times by Clark's constant need for extramarital romantic love. A son who wrote letters to his dead parents. A historian who placed narrative ahead of facts. A doubter who flirted with Ca...
For Socialists and many liberals, the Soviet Union of the 1920s-1940s was the site of the great Socialist Experiment. Most Australians who travelled there wrote about their extraordinary experiences, and the recent opening of the Soviet archives gave access to the Soviets' reactions to their visitors. Collecting the research of leading historians and writers, Political Tourists explores Soviet tourism through figures such as Eric Ashby, RM Crawford, Reg Ellery, Neill Greenwood, Esmonde Higgins, Katharine Susannah Prichard, Betty Roland and Jessie Street. Drawing on both Australian and Soviet archives, this is a unique insight into the Soviet experience in the 1920s-1940s.