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Fotografier af landskaber i Storbritannien.
These photographs reveal not only the seaside resorts and clifftop walks we all know, in a new light, they also depict the more dramatic and remote stretches of coast that are relatively inaccessible. The pictures are more than studies of empty landscape for they reveal man's essential and natural affinity with the land, and nowhere is this more poignantly apparent in a seafaring nation, than at the interface between rock and water, terra firma and the tidal ocean.
Poems written by Ted Hughes in response to Fay Godwin's photographs of the part of Yorkshire in which he grew up.
A collection of some of the great British architectural triumphs, inspiring monuments and geographical features; from Stonehenge to the Angel of the North.
Fay Godwin is commonly regarded as this country's finest landscape photographer. Ted Hughes, who was born and brought up in the part of the world she has captured in these atmospheric studies, was inspired by them to provide a verse text, one of the most personal things he has written.
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This is a book of fine-art black and white landscape photographs, related to a travelling exhibition seen by hundreds of people at art galleries across the UK during 2001 and 2002. These photographs look at human elements in the rural landscape, both ancient and modern, including standing stones and ruined churches, tracks and lanes, quarries, huts and signs, all showing the weathering effects of time. The images are in turn haunting, contemplative, satirical and uplifting.
Using a 'battered medium format camera' once belonging to Fay Goodwin, Alex Boyd captures the archipelago of St Kilda in a new light, from a 21st century perspective. From the crumbling Cold War military base to the wild beauty of the natural landscape, this collection of photographs is both an ode to the history of the islands and an insight into the modern day lives of those who live and work on St Kilda today.
T&HFL12 After a lifetime of working on a series of "collective portraits" in far-flung places such as Mexico; Ghana; Italy; Tir a'Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature--of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a grow...