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Originally composed in Latin by Gilbertus Anglicus (Gilbert the Englishman), his Compendium of Medicine was a primary text of the medical revolution in thirteenth-century Europe. Composed mainly of medicinal recipes, it offered advice on diagnosis, medicinal preparation, and prognosis. In the fifteenth-century it was translated into Middle English to accommodate a widening audience for learning and medical “secrets.” Faye Marie Getz provides a critical edition of the Middle English text, with an extensive introduction to the learned, practical, and social components of medieval medicine and a summary of the text in modern English. Getz also draws on both the Latin and Middle English texts to create an extensive glossary of little-known Middle English pharmaceutical and medical vocabulary.
This impressive volume presents a thorough examination of all aspects of physical impairment and disability in medieval Europe. Examining a popular era that is of great interest to many historians and researchers, Irene Metzler presents a theoretical framework of disability and explores key areas such as: medieval theoretical concepts theology and natural philosophy notions of the physical body medical theory and practice. Bringing into play the modern day implications of medieval thought on the issue, this is a fascinating and informative addition to the research studies of medieval history, history of medicine and disability studies scholars the English-speaking world over.
In this comprehensive and stimulating volume, the history of medicine is approached from a variety of perspectives to develop a well-rounded, objective overview. Historians examine the effects of society on medicine and of medicine on society and trace transformations in the the thought and practices of the medical and allied professions. History of Medicine explores the practice and philosophy of medicine--as it existed in ancient Greece and the Middle Ages, shedding light on the religion, politics, and social attitudes of those periods and as it existed until very recently in the United States. This highly readable book provides a wealth of information on the history of several significant...
The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Máire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.
There is a long history of inventing illness, such as pretending to be sick for attention or accusing others of being ill. This volume explores the art of illness, and the deceptions and truths around health and bodies, from a multiplicity of angles from antiquity to the present. The chapters, which are based on primary-source evidence ranging from antiquity to the late twentieth century, are divided into three sections. The first part explores how the idea of faking illness was understood and conceptualized across multiple fields, locations, and time periods. The second part uses case studies to emphasize the human element of those at the center of these narratives and how their behavior was shaped by societal attitudes. The third part investigates the development of regulations and laws governing malingering and malingerers. Altogether, they paint a picture of humans doing human actions—cheating, lying, stealing, but also hiding, surviving, working. This book’s careful, accessible scholarship is a valuable resource for academics, scientists, and the sophisticated undergraduate audience interested in malingering narratives throughout history.
Medicine and the Law in the Middle Ages offers fresh insight into the intersection between these two distinct disciplines. A dozen authors address this intersection within three themes: medical matters in law and administration of law, professionalization and regulation of medicine, and medicine and law in hagiography. The articles include subjects such as medical expertise at law on assault, pregnancy, rape, homicide, and mental health; legal regulation of medicine; roles physicians and surgeons played in the process of professionalization; canon law regulations governing physical health and ecclesiastical leaders; and connections between saints’ judgments and the bodies of the penitent. Drawing on primary sources from England, France, Frisia, Germany, Ireland, Italy, Portugal, and Spain, the volume offers a truly international perspective. Contributors are Sara M. Butler, Joanna Carraway Vitiello, Jean Dangler, Carmel Ferragud, Fiona Harris-Stoertz, Maire Johnson, Hiram Kümper, Iona McCleery, Han Nijdam, Kira Robison, Donna Trembinski, Wendy J. Turner, and Katherine D. Watson.
An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the life and times of four medieval women--Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife--who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death--and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
The essays assembled in this new volume explore the fascination of the Middle Ages with the mystery of light, and its central role in the period's thought and creativity. Spanning medieval theology, literature, science and material culture, the topics covered include the history of light (and, inseparably, darkness) as a literary figure, from the Latin Bible to Geoffrey Chaucer; theoretical speculations on colour, sight and blindness, and their unexpected fertilization of fields such as poetic imagery; medieval preachers' evocations of light as much more than merely figuring the moral and religious, from St. Simeon in the ninth century to John Fisher in the early sixteenth; indeed the belief that light possessed not only reality but physical materality, as manifested in artefacts such as the Gloucester Candlestick. On Light thereby reveals not only the importance of this phenomenon to diverse aspects of medieval culture, but profound and unremarked ways in which it helped to bind these into a whole.
An interdisciplinary collection that brings together work focused on the historical use of plants as medicines from various fields.
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