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Risk Work
"This book tells the story of US performance artists who adopted guerrilla tactics during the 1970s and 1980s in response to the "cultural domestication of militancy" in the United States. In the 1960s, as US news was covering anti-colonialist resistance in Latin America, Africa, and Southeast Asia, they fashioned the persona of the "guerrilla fighter" as the embodiment of a "foreign" agent of threat. A key example was Che Guevara, resplendent in his beret and camouflage garb. It wasn't long before the nation was consuming endless images of militant protestors donning berets and carrying guns in gestures conjuring Che. As the Black Panthers, Brown Berets, Young Lords, and Weathermen adopted the uniforms and the tactics of armed and psychological interference, artists across the country began to use sabotage, hijacking, deception, and other "risk work" to wage conceptual war on both art and society. They fabricated Chicano gang wars, held TV talk shows hosts hostage, and posed as hijackers in the garb of guerrilla-terrorists made iconic by the news"--
Risk Work
How artists in the US starting in the 1960s came to use guerrilla tactics in performance and conceptual art, maneuvering policing, racism, and surveillance. As US news covered anticolonialist resistance abroad and urban rebellions at home, and as politicians mobilized the perceived threat of “guerrilla warfare” to justify increased police presence nationwide, artists across the country began adopting guerrilla tactics in performance and conceptual art. Risk Work tells the story of how artists’ experimentation with physical and psychological interference from the late 1960s through the late 1980s reveals the complex and enduring relationship between contemporary art, state power, and po...
Arts of Wonder
Kosky focuses on a handful of artists - Walter De Maria, Diller + Scofidio, James Turrell, and Andy Goldsworthy - to show how they introduce spaces hospitable to mystery and wonder, redemption and revelation, and transcendence and creation.
Machine Art, 1934
In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
25 Women
Newsweek calls him “exhilarating and deeply engaging.” Time Out New York calls him “smart, provocative, and a great writer.” Critic Peter Schjeldahl, meanwhile, simply calls him “My hero.” There’s no one in the art world quite like Dave Hickey—and a new book of his writing is an event. 25 Women will not disappoint. The book collects Hickey’s best and most important writing about female artists from the past twenty years. But this is far more than a compilation: Hickey has revised each essay, bringing them up to date and drawing out common themes. Written in Hickey’s trademark style—accessible, witty, and powerfully illuminating—25 Women analyzes the work of Joan Mitch...
Theorizing Visual Studies
This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in relation to guiding theories; it is unpredictable in its allegiance and interest in the past of the discipline--reflecting the ongoing growth of visual studies.
Venezuelan Stick Fighting
In Venezuelan Stick Fighting: The Civilizing Process in Martial Arts, Michael J. Ryan examines the modern and historical role of the secretive tradition of stick fighting within rural Venezuela. Despite profound political and economic changes from the early twentieth century to the modern day, traditional values, practices, and imaginaries associated with older forms of masculinity and sociality are still valued. Stick, knife, and machete fighting are understood as key means of instilling the values of fortitude and cunning in younger generations. Recommended for scholars of anthropology, social science, gender studies, and Latin American studies.
Desired States
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational and localized movements, imperialist interests, geo-political conflicts, and market forces to explore the broader struggles of desiring subjects, especially in those dimensions of life that are explicitly sexual and amorous: free love movements, marriage, the sixties’ sexual revolution in Cold War contexts, prostitution policies, ideas about men’s gratification, the charisma of leaders, and sexual/domestic violence against women.
Development Betrayed
Modernity promised control over nature through science, material abundance through technology and effective government through rational, social organization. Instead of leading to this promised land it has brought us to the brink of environmental and cultural disaster. Why has there been this gap between modernity's aspirations and its achievements? Development Betrayed offers a powerful answer to this question. Development with its unshakeable commitment to the idea of progress, is rooted in modernism and has been betrayed by each of its major tenets. Attempts to control nature have led to the brink of environmental catastrophe. Western technologies have proved inappropriate for the needs o...
Discrepant Abstraction
Exploring cross-cultural scenarios in 20th-century art, this book introduces fresh perspectives on abstraction as a visual signifier of modernity by revealing the multiple directions that abstract art has taken in different international contexts. This groundbreaking collection shows how the heterogeneous qualities of abstraction have been cross-fertilised, from abstract expressionism onwards, by the creative discrepancies that arise when different cultural identities come face to face in the artistic imagination. Discrepant Abstraction is the second volume in the Annotating Art's Histories series. Contributors: Stanley Abe; David Clarke; Mark Cheetham; David Craven; Wilson Harris; Iftikhar Dadi; Kellie Jones; Nathaniel Mackey; Kobena Mercer and Angeline Morrison. Supported by the Getty Foundation.
