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IBU, AKU INGIN BERCERITA
Bagi sebagian orang, tidak memandang berapa usianya, ibu bisa menjadi teman terbaik dan tempat menceritakan segala hal, tentang perasaan pribadi, aktivitas, pekerjaan, konflik antarteman, mimpi dan masa depan, serta kegalauan-kegalauan yang sedang dihadapi. Namun, ada juga yang meski ingin, tetapi tetap tak bisa untuk berbagi kisah dan menghabiskan waktu bersama dengan ibu. Entah karena ibu tidak bisa menjadi teman atau pendengar yang baik, atau karena anak yang saking hormatnya pada ibu menjadi segan untuk memulai pembicaraan. Dalam buku ini, para penulis mengisahkan beragam cerita tentang hubungan dan komunikasi antara ibu dan anak. Bagaimana cara pandang anak terhadap ibu maupun sebalikny...
Ta Bihbele
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Le poesie
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La Progenie del Golem
Praga, anno 1580 dell'era cristiana. L'imperatore si reca al cospetto del rabbino, implorando pieta. Soltanto poche ore prima i soldati erano entrati nel ghetto con l'ordine di sterminio. Ma qualcosa di orribile e accaduto. I soldati non hanno avuto scampo contro un'arma che non ha eguali sulla faccia della Terra, un'arma di cui il rabbino e il riluttante Controllore. Quasi cinque secoli dopo, la stessa inarrestabile arma viene usata contro gli invasori nazisti. Notte dopo notte, una catena di eventi tragici e misteriosi, inspiegabili e terribili, uccide i soldati. Qual e il denominatore comune dei misteri che avvolgono Praga?
Davide Rondoni
In this monograph, Gregory M. Pell provides a full-length study on the poetry of Davide Rondoni, one of Italy’s most active contemporary writers and thinkers. This book includes comparative studies of Jorie Graham, Gjertrud Schnackenberg, Charles Wright, John Ashbery, Patrizia Fazzi, and Mario Luzi. As the first book in English on Davide Rondoni’s poetry, this study explores how the Italian poet deals with art, and the places of art, in a way that transcends the notion of ekphrasis (or, verbal representation of pictorial art) to see poetry as the transcription of an experience with art, thus becoming a sort of anti-ekphrasis, or an atmospheric ekphrasis. The social and religious aspects of art take precedence over aesthetic concerns, without discounting them, in Rondoni’s unsentimental poetry, which takes the form of recitative theatrical monologues. Thus, art becomes more than simple visual representation or the subject of an art history catalogue. Instead, in certain poets, such as Rondoni, we experience life through art’s complete process: from the artist’s originary idea to the work’s execution to our interaction with it in the here and now.
