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Scorch Atlas
In this striking novel-in-stories, a series of strange apocalypses have hit America. Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we’ve become. In “The Disappeared,” a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents’ ransacked attic in “The Ruined Child.” Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler’s full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler's own vision of the apocalyptic and bizarre.
Erratic Fire, Erratic Passion
Erratic Fire, Erratic Passion is a collection of found poems composed of the words of professional athletes. The content of post-game interviews and sports chatter is so often meaningless, if not insufferable, and yet there are athletes like Metta World Peace who transcend lame clichés and rote patter, who use language in surprising ways, who can be funny and shocking and insightful and alarmingly sincere — pure poetry. Muhammad Ali offered dazzling displays of lexical wizardry, and Allen Iverson’s infamous “practice” rant shifted the post-game press conference from the banal to the absurd. This book is a celebration of these rare and exceptional moments. Various poetic forms and line-breaks highlight — or, in the words of Deion Sanders, “deem to set a candor on” — the sophisticated, sublime, and surprising performances of language made by professional athletes.
See You In The Morning
See You In the Morning is a book about three 17-year-olds, Rosie, John, and the narrator, who take care of each other one summer in a small Midwestern town. Rosie is a mystic romantic whose dad earned so much money writing screenplays that she doesn’t need an after-school job. John, Rosie’s ex, works at the roller rink in a rabbit costume and takes care of his mom when she's tired after a day cutting hair. The narrator works at a bookstore and sometimes focuses so hard on their reading that they see polka dots take over the room. John is the narrator's best and oldest friend, so now the two of them must be in love, right? Because if they aren't, why stay in town? But if they aren't, who else will ever understand? What is love and how does it work? See You In the Morning happens at diners and house shows, in paragraph-shaped poems, and the narrator's angry, tender, colorful voice.
I'm Fine, But You Appear to Be Sinking
In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that...
Tiny
Tiny is a poetic retelling of Sophocles' Antigone. Instead of having two brothers who kill each other in a civil war, Tiny has one who kills himself after coming home from a far-away war. Our heroine mourns her brother, forever, but--with best friend Izzy, boyfriend Hank, and a collective dance night held in an old artificial limb store--she escapes freezing herself in grief, too.
From the Inside
After Timmis, the son of a wealthy family from Chicago's suburbs, was diagnosed a psychopath as a teenager, he frequented the controversial Menninger Clinic. He repeatedly ran away and was recaptured, held in solitary for extended periods, and forced to endure excruciatingly dull group therapy sessions. He recounts these experiences with adolescent braggadocio.
The First Collection of Criticism by a Living Female Rock Critic
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
The Book of Antennae
Originally self-published in 2000, "The Book of Antennae" is reissued here for the first time. This short but powerful book is a compelling conjuring offering precise, dense bursts of language. It rewards repeated readings by revealing the Language of Nature, The Nature of Spirit, The Spirit of Science, The Science of Love, The Love of The Occult, and The Occult of Language.
Sunshine on an Open Tomb
Set in fall 1988, Sunshine On An Open Tomb shuttles between two storylines: the creation of The CIA as a result of the Texas/Kingdom oil connection, and a love triangle involving the moon. Our narrator is the brooding runt of a political dynasty whose father is about to be appointed Prez. He is thoughtful, but has trouble expressing himself due to his many physical defects as a result of inbreeding. Desperate for content at the advent of the 24-hour news cycle, even our narrator is suddenly of interest to The Media. So after years of living freely among The Barbarians, The Family hides him away in one of its secret hideouts. Exhausted by the shape-shifting estate and his irresolvable love life, our narrator cloisters himself deep in the estate’s bunker and constructs a tomb around himself out of soup cans. Here he gets to work correcting the best-selling, so-called objective biography of The Family.
Mammother
The people of Pie Time are suffering from God’s Finger, a mysterious plague that leaves its victims dead with a big hole through their chests. In each hole is a random consumer product. Mano Medium, a sensitive, young cigarette-factory worker in love, does his part by quitting the factory to work double-time as Pie Time’s replacement barber and butcher, and by holding the things found in the holes of the newly dead. However, the more people die, the bigger Mano becomes. XO, the power-hungry corporation bent on overtaking Pie Time, and Father Mothers, the bumbling priest, have their own ideas about how to capitalize on God’s Finger. By contrast, and powered by honoring his own lost loves, Mano fights to resist this exploitation by teaching death to those who can’t afford to survive it. As Pie Time and Mano both grow irrevocably, Mano must make a decision about how he can best fit into his own life. With a large cast of unusual characters, each struggling with their own complex and tangled relationships to death, money, and love, Mammother is a fabulist's tale of how we hold on and how we let go in a rapidly growing world.
