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Staging the People
The Federal Theatre Project, a New Deal plan to fund theatre and other live artistic performances during the Great Depression, had the primary goal of employing out-of-work artists, writers, and directors, with the secondary aim of entertaining poor families and creating relevant art. These case studies explore the ties between the Federal Theatre Project and regional communities throughout the United States.
The Federal Theatre Project
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
The Federal Theatre Project in the American South
The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a s...
Six Plays for Young People from the Federal Theatre Project (1936-1939)
The subject of Swortzell's book is a selection of plays created by the Children's Theatre units of the Federal Theatre Project. . . . Most of the six plays in Swortzell's anthology resonate with political messages integral to the post-Depression, post-World War I era. . . . Though some of the scripts, like Chorpenning's A Letter to Santa Clause, which is an indictment of war, and Yasha Frank's Pinocchio, which celebrates the rewards of a virtuous life, hammer away at theme to the point of becoming tedious, the plays written and performed during this brief heydey in the history of children's theatre reveal just how far the genre could move beyond the narrow focus and prescribed subjects which...
Dangerous Theatre
Dangerous Theatre records the activities of the various organizations of the Federal Theatre Project involved with fostering the writing and production of new plays during the FTP's existence (1935-39). It presents a comprehensive and thorough picture of how playwrights actually worked and how their work was received by general audiences and critics. A critical perspective is established explaining how, why, and to what extent the aims of the FTP with regard to promoting new plays were, or were not achieved.
Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times
Under the direction of Hallie Flanagan, a daring 5-foot dynamo, the Federal Theater Project managed to turn a WPA relief program into a platform for some of the most cutting-edge theater of its time. This unique experiment by the US government in support of the arts electrified audiences with exciting, controversial productions, created by some of the greatest figures in 20th century American arts — including Orson Welles, John Houseman and Sinclair Lewis. Plays like Voodoo Macbeth and The Cradle Will Rock stirred up politicians by defying segregation and putting the spotlight on the inequities that led to the Great Depression. Furious Improvisation brings to life the challenges of this de...
