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The landmark poetry of Federico García Lorca in a bilingual edition and introduced by Pulitzer Prize winner W. S. Merwin.
A look at Lorca's ambivalent view of his own homosexuality as expressed through his life and his art. The restless passion and vibrant imagery of Federico Garcia Lorca's theatre and poetry continue to exercise a powerful fascination. Long recognized as the most innovative writer of twentieth century Spain, plays like Blood Wedding and collections of poetry such as Poet in New York are now considered amongst the artistic masterpieces of our century. This Outline focuses on Lorca's extraordinary creativity through the prism of his homosexuality without ever reducing the power of that work to a simple reading.
A revised edition of this major writer's complete poetical work And I who was walking with the earth at my waist, saw two snowy eagles and a naked girl. The one was the other and the girl was neither. -from "Qasida of the Dark Doves" Federico García Lorca was the most beloved poet of twentieth-century Spain and one of the world's most influential modernist writers. His work has long been admired for its passionate urgency and haunting evocation of sorrow and loss. Perhaps more persistently than any writer of his time, he sought to understand and accommodate the numinous sources of his inspiration. Though he died at age thirty-eight, he left behind a generous body of poetry, drama, musical a...
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Although the life of Federico García Lorca (1898–1936) was tragically brief, the Spanish poet and dramatist created an enduring body of work of international importance. This selection of 55 poems from a 1921 collection represents some of García Lorca's finest work. Imbued with Andalusian folklore, rich in metaphor and complex spirituality, they attest to the poet's popularity as one of Spain's most widely read authors.
In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
Lorca, icon and polymath in all his manifestations.
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