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Felipe Smith tracks the emergence of particular gender images--such as white witch, black madonna, mammy, and white lady--and their impact on early African American literature. Smith gives us a remarkable synthesis of historical readings combined with a highly original contribution to the comprehension of racial thought and literary writing.
Ghost Racers 1-4, Secret Wars: Secret Love 1 (7 page story), Ghost Rider (1973) 35
Collects All-New Ghost Rider #1-5.
Felipe Smith is an associate professor of English at Tulane University and the author of American Body Politics: Race, Gender, and Black Literary Renaissance. "--Book jacket.
Collects All-New Ghost Rider (2014) #1-12, Ghost Rider (2016) #1-5, What If? Ghost Rider (2018) #1. Robbie Reyes is the newest Ghost Rider — with a twist! He’s got a sweet ride, but the car is haunted by a vengeful spirit named Eli, and it’s hell on wheels! When Robbie’s East L.A. neighborhood is overrun by Mr. Hyde’s drug-fueled gang violence, can he use this new power to put vengeance in overdrive — or will he submit to Eli’s darkness? When Johnny Blaze shows up, hellfire sparks will fly in a street race to eternal damnation! And when Robbie learns a shocking truth about his absent parents, will it push him over the edge? Plus: A mysterious crash landing brings Robbie face-to-face with Amadeus Cho, X-23 and Silk! And Ghost Rider goes metal in a wild “What If” featuring music, monsters and Marvel!
Winner of the 2014 Will Eisner Award for Best Scholarly/Academic Work. Bringing together contributors from a wide-range of critical perspectives, Black Comics: Politics of Race and Representation is an analytic history of the diverse contributions of Black artists to the medium of comics. Covering comic books, superhero comics, graphic novels and cartoon strips from the early 20th century to the present, the book explores the ways in which Black comic artists have grappled with such themes as the Black experience, gender identity, politics and social media. Black Comics: Politics of Race and Representation introduces students to such key texts as: The work of Jackie Ormes Black women superheroes from Vixen to Black Panther Aaron McGruder's strip The Boondocks
Cassie and Val were raised in a Kung Fu Orphanage. Now they're Freelancers -- hired guns who solve unsolvable problems for Hollywood's rich and powerful elite. But when one job goes awry, they uncover a secret that threatens to cripple Los Angeles... In a city where loyalty runs only as deep as one's bank account, Cassie and Val have to take on the most dangerous gigs just so they can keep the lights on and continue living off ramen. Red-hot newcomers Eric Esquivel and Joshua Covey bring you the smash hit series full of raucous nights, beautiful dreamers, and heartbreak in-between trips to the newest food trucks.
In 1971, the west learned about Octobriana - the outlaw Russian superhero comic. To show solidarity, underground American cartoonists made their own Octobriana comic book. Robot Stalin's got a new doomsday bomb! Can the Devil-Woman stop him before he destroys us all? Siberian labor camps, PPP secret orgies, motorcycle gunship train chases - this one has it all! Samizdat gone wild - a cross between 70s psychedelia and Soviet constructivism!?! You've NEVER seen a comic book that looks like this! Revolution forever, bitch.
The state of Yucatan is commonly considered to have been a hotbed of radical feminism during the Mexican Revolution. Challenging this romanticized view, Stephanie Smith examines the revolutionary reforms designed to break women's ties to tradition and religion, as well as the ways in which women shaped these developments. Smith analyzes the various regulations introduced by Yucatan's two revolution-era governors, Salvador Alvarado and Felipe Carrillo Puerto. Like many revolutionary leaders throughout Mexico, the Yucatan policy makers professed allegiance to women's rights and socialist principles. Yet they, too, passed laws and condoned legal practices that excluded women from equal particip...
In 1838, the British government outlawed the slave trade, emancipated all of the slaves in its possessions, and began to interdict slave ships en route to the Americas. Almost at once, colonies that had depended on slave labour were faced with a liberated and unwilling labour force. At the same time, newly freed slaves in Sierra Leone (and later from America and elsewhere) were "persuaded" to emigrate to other British colonies to provide a new workforce to replace or augment remnants of the old. Some became paid labourers, others indentured servants. These two groups - one, English-speaking colonists; the other, new African immigrants - are the focus of this study of "receptive" communities in the West Indies. Adderley describes the formation of these settlements, and, working from scant records, tries to tease out information about the families of liberated Africans, the labour they performed, their religions, and the culture they brought with them. She addresses issues of gender, ethnicity, and identity, and concludes with a discussion of repatriation.