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Surveying a large body of Greek (and occasionally Roman) literature, as well as material remains, this volume offers the first systematic study of a central motif in the praise of humans in antiquity, and explores when, how, why, and to what effect humans are compared to gods in the poetry of archaic and classical Greece.
Shortly after the middle of the eighteenth century a number of thinkers from the German-speaking lands began to create a paradigm drawn from their impressions of a distant historical reality, ancient Athens; added to it a new mode of thought, modern dialectics; and at times even paid homage to the ancient Greek deity Dionysos, to materialize their longing for an ideal. The influence of these forces came to permeate modern German consciousness, deifying the concept and activity of art, reviving the Platonic (and Sanskrit) vision of the cosmos as play and aesthetic creation, and projecting a way of life and labor that would honor not the commodity but the aesthetic product. With rigorous commi...
Die Quaestiones Convivales von Plutarch sind ein typisches Beispiel aus der miszellanischen Literatur der Kaiserzeit. Seine Komposition mag auf den ersten Blick keine erkennbare Ordnung anstreben. Die Analyse der Figurengestaltung, der Zeit- und Raumkomponente und der Paratexte verdeutlicht aber, dass es sich sehr wohl um eine literarisch durchdachte Struktur handelt. Diese hat den autofiktionalen Charakter der Figur Plutarch als wesentliches Element, so dass die Gespräche wie in einer Assoziationskette, die einer autobiographischen Erinnerungssuche gleicht, angeordnet werden. Durch die Verzahnung von drei verschiedenen Diskursebenen wird sowohl theoretisches Wissen über das griechische Symposion vermittelt wie auch dieses Wissen auf die inszenierten Symposien angewendet.
Theologians from the early church to the present have written much about the Holy Spirit and Christian salvation. This extensive sourcebook of primary theological texts makes many of these writings available with a description of their context and importance. Especially valuable are more recent works emerging from theologians in Africa, Asia, and Latin America. This global perspective, coupled with the broad selection of writings from the history of theology, makes this the most complete collection of primary source material on these topics.
Felix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.
Richard Wagner's "Die Meistersinger von Nürnberg" has been one of the most performed operas ever since its premier in 1868, as it epitomizes themes of Germanness. This volume examines the representation of German history in the opera and the way it has functioned in history through political appropriation and staging practice. in performance.
For Hegel, thought is not philosophical if it is not also religious. Both religion and philosophy have a common object and share the same content, for both are concerned with the inherent unity of all things. Hegel's doctrine of God provides the means for understanding this fundamental relationship. Although Hegel stated that God is absolute Spirit and Christianity is the absolute religion, the compatibility of Hegel's doctrine of God with Christian theology has been a matter of continuing and closely argued debate. Williamson's book provides a significant contribution to this ongoing discussion through a systematic study of Hegel's concept of God. The book proceeds by investigating theism, atheism, pantheism, and panentheism as descriptions of Hegel's concept. It rejects the view that Hegel's doctrine so differs from Christian theology so as to be empty of religious content and thereby highlights some important considerations in contemporary theology.
Early modern European society took a serious view of blasphemy, and drew upon a wide range of sanctions - including the death penalty - to punish those who cursed, swore and abused God. Whilst such attitudes may appear draconian today, this study makes clear that in the past, blasphemy was regarded as a very real threat to society. Based on a wealth of primary sources, including court records, theological and ecclesiastical writings and official city statutes, Francisca Loetz explores verbal forms of blasphemy and the variety of contexts within which it could occur. Honour conflicts, theological disputation, social and political provocation, and religious self-questioning all proved fertile ...