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Feminist Art Criticism
"Feminist Art Criticism: An anthology is a diverse and provocative collection of essays written by distinguished art critics, historians, and artists. Arranged chronologically, the anthology provides an overview of a continuous feminist discourse in art from the early 1970s to the present. Often controversial, the writings represent a diversity of approaches -- polemical, Marxist, lyrical, and poststructuralist, among others. The essays, many of which are not readily available elsewhere, cover a wide range of concerns. Opening with Maryse Holder's blunt and powerful look at the art of female sexuality as self-discovery, the collection moves through a feminist approach to erotic art by Carol ...
New Feminist Art Criticism
The artist, the critic and the academic: feminism's problematic relationship with 'Theory'/ Janet Wolff -- Preaching to the converted? Feminist art publishing in the 1980s / Frances Borzello -- The sphinx contemplating Napoleon : black women artists in Britain / Gilane Tawadros -- Reading between the lines: the imprinted spaces of Sutapa Biswas / Moira Roth -- Modernism, art education and sexual difference /Pen Dalton -- Eyewitnesses, not spectators/activists, not academics: feminist pedagogy and women's creativity / Val A. Walsh -- Exhibiting strategies / Debbie Duffin -- The situation of women curators / Elizabeth A. MacGregor -- Afterthoughts on curating 'The subversive stitch' / Pennina ...
Feminist Art Criticism
This annotated bibliography is devoted exclusively to writings on feminist art, criticism, theory, and culture. Langer lists and summarizes more than 1000 works - books, pamphlets, articles, periodicals, exhibition catalogues, reviews, newspapers, unpublished manuscripts and alternative publications. Although emphasis is on groundbreaking perspectives that have emerged in the US and Britain during the last 25 years, the bibliography also covers critical work published during the last century, including a number of relevant European works.
Autotheory as Feminist Practice in Art, Writing, and Criticism
Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Femininity, Time and Feminist Art
This book examines feminist art of the 1970s through contemporary art made by women. In a series of readings of artworks by, amongst others, Tracey Emin, Vanessa Beecroft, Hannah Wilke and Carolee Schneemann the reader is taken on a journey through maternal desire, fantasies of escape and failed femininity.
The State of Art Criticism
Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
