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Queer Ideas
An essential text documenting the foundation and rise of queer theory. Founded in 1992, the David R. Kessler lectures represent the foreground of queer studies in the US, featuring legendary thinkers such as Cherríe Moraga, Samuel R. Delany, Dean Spade, Sara Ahmed, and more. This canonical volume brings together the first ten lectures and explores questions of sexuality and gender, as well as how new—and queer—ideas are thought into being. Queer Ideas features interdisciplinary scholarship from the field’s founding thinkers: Edmund White on literature and criticism, Barbara Smith on Black lesbian and gay history, Esther Newton on being butch, Samuel R. Delany on class and capitalism, Eve Kosofsky Sedgwick on love, Judith Butler on human rights, and more. This new edition remains a testimony to queer studies as it emerged in the last quarter of the twentieth century, and provides a necessary introduction for a new generation of feminist scholars, thinkers, and activists.
The Restless
This lyrical novel, structured like a Creole quadrille, is a rich ethnography bearing witness to police violence in French Guadeloupe. Narrators both living and dead recount the racial and class stratification that led to a protest-turned-massacre. Dambury’s English debut is a vibrant memorial to a largely forgotten atrocity, coinciding with the government’s declassification of documents pertaining to the incident.
Radical Reproductive Justice
Expanding the social justice discourse surrounding "reproductive rights" to include issues of environmental justice, incarceration, poverty, disability, and more, this crucial anthology explores the practical applications for activist thought migrating from the community into the academy. Radical Reproductive Justice assembles two decades’ of work initiated by SisterSong Women of Color Health Collective, creators of the human rights-based “reproductive justice” framework to move beyond polarized pro-choice/pro-life debates. Rooted in Black feminism and built on intersecting identities, this revolutionary framework asserts a woman's right to have children, to not have children, and to parent and provide for the children they have. "The book is as revolutionary and revelatory as it is vast." —Rewire
Life in the Iron-Mills
Before Women Had Rights, They Worked - Regardless. Life in the Iron Mills is a short story (or novella) written by Rebecca Harding Davis in 1861, set in the factory world of the nineteenth century. It is one of the earliest American realist works, and is an important text for those who study labor and women's issues. It was immediately recognized as an innovative work, and introduced American readers to ""the bleak lives of industrial workers in the mills and factories of the nation."" Reviews: Life in the Iron Mills was initially published in The Atlantic Monthly, Vol. 0007, Issue 42 in April 1861. After being published anonymously, both Emily Dickinson and Nathaniel Hawthorne praised the work. Elizabeth Stuart Phelps Ward was also greatly influenced by Davis's Life in the Iron Mills and in 1868 published in The Atlantic Monthly""The Tenth of January,"" based on the 1860 fire at the Pemberton Mills in Lawrence, Massachusetts. Get Your Copy Now.
Panpocalypse
During the coronavirus pandemic, a queer disabled woman bikes through a locked-down NYC for the ex-girlfriend who broke her heart. Orpheus manages to buy a bicycle just before they sell out across the city. She takes to the streets looking for Eurydice, the first woman she fell in love with, who also broke her heart. The city is largely closed and on lockdown, devoid of touch, connection, and community. But Orpheus hears of a mysterious underground bar Le Monocle, fashioned after the lesbian club of the same name in 1930s Paris. Will Orpheus be able to find it? Will she ever be allowed to love again? Panpocalypse—first published as an online serial in spring of 2020—follows a lonely, disabled, poly hero in this novel about disease, decay, love, and revolution.
Mars
A debut collection of darkly humorous, feminist speculative fiction from the Balkans, “sly, uncommon stories” by “a major talent” (Jeff VanderMeer, award-winning author of Hummingbird Salamander). Mars showcases a series of unique and twisted universes, where every character is tasked with making sense of their strange reality. One woman will be freed from purgatory once she writes the perfect book; another abides in a world devoid of physical contact. With wry prose and skewed humor, an emerging feminist writer explores twenty-first century promises of knowledge, freedom, and power. “Bakic’s stories are a dark delight—a treasury of forbidden pleasures, moments of resistance an...
The Crunk Feminist Collection
Essays on hip-hop feminism featuring relevant, real conversations about how race and gender politics intersect with pop culture and current events. For the Crunk Feminist Collective, their academic day jobs were lacking in conversations they actually wanted. To address this void, they started a blog that turned into a widespread movement. The Collective’s writings foster dialogue about activist methods, intersectionality, and sisterhood. And the writers’ personal identities—as black women; as sisters, daughters, and lovers; and as television watchers, sports fans, and music lovers—are never far from the discussion at hand. These essays explore “Sex and Power in the Black Church,”...
$pread
“A fascinating collection from a group of courageous women who created the first publication to explore sex work in a compelling and intelligent way.” —Candida Royalle $pread, an Utne Award–winning magazine by and for sex workers, was independently published from 2005 to 2011. This collection features enduring essays about sex work around the world, first-person stories that range from deeply traumatic to totally hilarious, analysis of media and culture, and fantastic illustrations and photos produced just for the magazine. The book also features the previously untold story of $pread and how it has built a wider audience in its posthumous years. What started as a community tool and trade magazine for the sex industry quickly emerged as the essential guide for people curious about sex work, for independent magazine enthusiasts, and for labor and civil rights activists.
The Riot Grrrl Collection
Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.
Ain't I a Diva?
“[Allred] interrogates Beyoncé’s music and videos to explore the complicated spaces where racism, sexism, and capitalism collide.” —Kirkus Reviews In 2010, Professor Kevin Allred created the university course “Politicizing Beyoncé” to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain’t I a Diva?, exploring what it means to build a syllabus around a celebrity. Topics range from a capitalist critique of “Run the World (Girls)” to the politics of self-care found in “Flawless”; Beyoncé’s art is read alongside black feminist thinkers including Kimberlé Crenshaw, Octavia Butler, and Sojourner Truth. Combining analysis with classroom anecdo...
