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The Anatomy of Despondency
In a text-orientated approach, this study presents a rich mosaic depicting a tradition of European socio-cultural criticism since the French Revolution. Accepting the inevitability of technological advance, critics rejected the proud assumption of progress and stressed the negatives instead.
The Pride of Place
Nineteenth-century France grew fascinated with the local past and thousands of citizens embraced local archaeology, staged historical pageants and created museums. The author provides a cultural and political history of this 'cult of local memories'.
Paris
Paris: The Powers that Shaped the Medieval City considers the various forces – royal, monastic and secular – that shaped the art, architecture and topography of Paris between c. 1100 and c. 1500, a period in which Paris became one of the foremost metropolises in the West. The individual contributions, written by an international group of scholars, cover the subject from many different angles. They encompass wide-ranging case studies that address architecture, manuscript illumination and stained glass, as well as questions of liturgy, religion and social life. Topics include the early medieval churches that preceded the current cathedral church of Notre-Dame and cultural production in the...
High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints
"Re-examines the sculpture on the transept porches of Chartres Cathedral and revises their chronology, based on information from the previously unstudied tomb of the count of Joigny. Documents the production of the monument within the context of French High Gothic sculpture"--Provided by publisher.
Architecture and the Historical Imagination
Hailed as one of the key theoreticians of modernism, Eugène-Emmanuel Viollet-le-Duc was also the most renowned restoration architect of his age, a celebrated medieval archaeologist and a fervent champion of Gothic revivalism. He published some of the most influential texts in the history of modern architecture such as the Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle and Entretiens sur l’architecture, but also studies on warfare, geology and racial history. Martin Bressani expertly traces Viollet-le-Duc’s complex intellectual development, mapping the attitudes he adopted toward the past, showing how restoration, in all its layered meaning, shaped his outlook. Through his life journey, we follow the route by which the technological subject was born out of nineteenth-century historicism.
THE CLOISTERS.
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The Art of Words: Bede and Theodulf
Medieval art is wordy; inscriptions and poems, commentaries and chronicles accompany and adorn it. The Art of Words presents a series of detective stories by a renowned explorer of medieval philological evidence who here examines the thought and objects of the Venerable Bede and Theodulf of Orleans. What physical objects did Bede have in mind, for example, when writing about the paintings of his monastic churches? How did he conceive of the division of biblical books into chapters? Why was the famous Libri Carolini made for Charlemagne never published? Indeed what did it mean in the Middle Ages to publish something? Pursuing the story of Bede's calendar shows how Valentine's Day began with a...
A Companion to Medieval Art
A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe. Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars. Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.
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