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Swiss painter Ferdinand Hodler (1853-1918) is one of Europe's most influential artistic personalities, whose work bridged the styles of Realism, Symbolism, and the modern period. Despite initial praise, his extensive oeuvre has not always been an object of admiration; its diversity and originality, however, deserve international re-evaluation. Hodler's symbolist vision of a large, harmonious union of man and nature is expressed both in unique and monumental figurative compositions, and in stylized landscapes of sheer mountain peaks and glinting lakes. Twenty-five years since the last retrospective, this fresh and extensive assessment of Hodler's paintings invites the viewer to explore his work anew; on the one hand it represents a unique view of turn-of-the-century art and Symbolism, on the other it demonstrates a powerful and genuine interest in the depiction of man. (German edition ISBN 978-3-7757-2062-5) Exhibition schedule: Kunstmuseum Bern April 9-August 10, 2008 Szépmüvészeti Múzeum, Budapest, September 9-December 14, 2008 With support by Pro Helvetia, Swiss Arts Council
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Ferdinand Hodler's emotionally loaded landscapes and ritualized portraits were among the earliest harbingers of Expressionist painting in Europe, and a key bridge between the idioms of late-nineteenth-century Symbolism, Realism and modernist Expressionism. Published for a major 2012 exhibition at New York's Neue Galerie, this volume gathers a selection of Hodler's best-loved work: his famous late paintings, in which figures are heavily stylized and landscapes are pared down to simple effects of mood and color; his outstanding works on paper; and the much-acclaimed, extremely moving series of works chronicling the illness and early death of the artist's lover, Valentine Godé-Darel. A documen...
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Swiss painter Ferdinand Hodler (1853-1918) was an exponent of Symbolism and Jugendstil, a pioneer of Expressionism and an innovator of monumental painting. Hodler's significance can also be charted through those he influenced in Viennese Modernist circles, such as Gustav Klimt, Koloman Moser, Oskar Kokoschka and Egon Schiele. Hodler's landscapes, self-portraits and portraits of women (such as the haunting series following the death of his lover Valentine God -Darel) bristle with barely restrained energy and color, paving the way for the expressionistic, decorative experiments of the next generation of artists. Published to accompany the artists' most comprehensive exhibition in Austria since his resounding success at the 1904 Secession, Ferdinand Hodler: Elective Affinities from Klimt to Schiele explores the main themes of Hodler's work and puts him in the context of his peers and followers.
During the final years of his life, Ferdinand Hodler (1853-1918) continued to develop his painting, creating some of his most important and touching masterpieces. In series and variations he lent new, liberated form to his life's great themes: the beauty of the Swiss mountains and lakes, his fascination for women, the examination of his own life, and the confrontation with death. Essentially the same book as 9783775733809 which we released in September 2012, with a slightly different cover and format.