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"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework...
A catalogue of Post-Renaissance mosaics found in the Gilbert Collection.
This volume examines the collection in detail, through essays discussing the origins and development of mosaics in semiprecious stones, and in individual entries covering works from all over Europe and even India.
The Year's Work in Medievalism: 2004 is based upon but not restricted to the 2004 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for Studies in Medievalism, Gwendolyn Morgan, and, for 2004, Christa Canitz of the University of New Brunswick, Fredericton. The essays of the current volume center on the question of individual responsibility in humanizing one's society through the use of medievalism. - Gwendolyn A. Morgan, "Medievalism and Individual Responsibility" - Karl Fugelso, "Defining Medievalism in Nineteenth-Century Commedia Illustrations" - Renee Ward, "Remus Lupin and Community: The Werewolf Tradition in J.K. Rowling's Harry ...
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A study of mosaics intended to illustrate the development of the art from its origins up to the present time.