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Persia Reframed
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19t...
Iran Modern
'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Persia Reframed
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic – hence the focus on calligraphy and veiled women. At a scholarly level it has been characterized as a comment on the socio-political context of the country. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism – a range of different styles and ideas – can thrive. This art historical exploration offers new insights into Iranian art, from the late nineteenth century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporar...
Without Boundary
Is it possible to speak of a contemporary art with an Islamic difference? This question is the subject of an exhibition that brings together artists who come from the Islamic world. Tapping into certain aesthetic, political, and spiritual notions, this book seeks to highlight the nuanced reactions of each individual artist.
Picturing Iran
"This book assesses modern Iranian visual culture from the 1960's and 1970's and suggests that modernity in Iran was a creative, complex, and contested process. It examines the expression of Iranian modernity in a variety of media including painting and sculpture, photography, posters, and graphic arts. It highlights new modes of artistic production and the expanding scene in Iran: developments in Iranian art criticism, exhibition apparatus, education, and patronage. The contributors also address changes in the iconography of Iranian art and in the increasingly social role of the artist. This groundbreaking work demonstrates that the visual arts serve as an important archival record of a critical period in Iranian history."--Publisher description.
Safar Voyage
Safar/Voyage features a selection of recent artwork by artists from Iran, Turkey and a range of Arab countries. The text -- illustrated with more than fifty colour photographs, archival images and a map of the region -- explores themes of migration, dislocation, and changing identity and addresses the impact of war and revolution on individuals, communities and culture in this highly contested region of the world. Echoing the title, curator Fereshteh Daftari constructs a journey through the work of the eighteen artists featured in the book. Political geographer Derek Gregory questions the West's assumptions about the Middle East by asking "Middle of what? East of where?" Offering a counterpoint to Western travellers exoticizing the Middle East, historian Naghmeh Sohrabi examines the experiences of 19th century travellers from the Middle East to the West. Canadian Lebanese artist Jayce Salloum offers a visual essay that responds to the themes of voyage and dislocation. The artwork featured in Safar/Voyage includes photography, installation art, a carpet, a wall mural, painting, and sculpture.
Rebel, Jester, Mystic, Poet
Rebel, Jester, Mystic, Poet tells the story of the evolution of Iranian contemporary art by examining the work of 30 artists. This is art where the ills of internal politics remain astutely masked below a layer of ornamentation, poetry, or humor. What unites the disparate works into a coherent theme is the artists' coping mechanisms, which consist of subversive critique, quiet rebellion, humor, mysticism, and poetry--hence the publications title. The subtitle Contemporary Persians is also a reference to a strategy of survival, this one used by Iranians in the United States during the early 2000s; at a time when 'Iranians' were identified with hostage takers and terrorists, they adopted the identity 'Persians', which remained free of such associations. This title collects the work of a number of artists who are already well-known in the United States, including among others Afruz Amighi, whose work is in the permanent collection of the Metropolitan Museum of Art in New York and Monir Farmanfarmaian, who received a major exhibition at the Guggenheim Museum in 2015.
Word Into Art
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Modernisms
Modernisms explores art from the 1960s and early '70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.00Modernisms will be the first book to provide a cross-cultural study of works from Iran, Turkey, and India. In so doing, it will illuminate our understanding of modern art created outside the long-dominant North American-Western European axis. With nearly 700 works, the Abby Weed Grey Collection comprises the largest institutional holdings of modern art from Iran and Turkey outside those countries, and the most important trove of modern Indian art in an American university museum. Proposing non-Western art as a critical component of modernity, this publication challenges the long held belief that other modernisms are second-rate.00Exhibition: Grey Art Gallery, New York University, New York, USA (10.09. - 07.12.2019) / The Block Museum of Art, Evanston, USA (21.01. - 05.04.2020).
