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Bulletin
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Bulletin
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Brazil
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Reading Modern Drama
Exploring the relationship between dramatic language and its theatrical aspects, Reading Modern Drama provides an accessible entry point for general readers and academics into the world of contemporary theatre scholarship. This collection promotes the use of diverse perspectives and critical methods to explore the common theme of language as well as the continued relevance of modern drama in our lives. Reading Modern Drama offers provocative close readings of both canonical and lesser-known plays, from Hedda Gabler to e.e. cummings' Him. Taken together, these essays enter into an ongoing, fruitful debate about the terms 'modern' and 'drama' and build a much-needed bridge between literary studies and performance studies.
The Classical Tradition in Portuguese and Brazilian Poetry
This book includes 21 chapters dedicated to the study of contemporary, Portuguese and Brazilian poets influenced by the Greco-Roman tradition. It integrates the international bibliography on reception studies in an Ibero-American context. However, the comparison between poets from the two countries highlights the cultural community that, despite the differences, unites them. Travels, routes, and adventures, taken in a linear or symbolic sense, are the common trace of all contributions. The variety of tastes, the greater or smaller closeness to the ancient models, and the authors’ preferences contribute to an overall view of the classical imprint on contemporary poetry as a specific area of literature.
After the Revolution
The contributors to this book attempt to describe, analyze, and interpret the literary events and practices that characterize the two decades of Portuguese political and cultural life after the 1974 revolution. This significant event provides the basis for all the issues discussed in this volume and emerges as a principal agent behind Portuguese "cultural renegotiation."
Concrete Inferno
After a coup in 1964 that ousted Brazil’s leftist President João Goulart from power, a brutal military dictatorship took the reins of the state. As a result, elements of the persecuted Brazilian Communist Party split from a more peaceful, orthodox line and declared their intent to wage an insurgent war against the government, plunging the country into a conflagration of violence marked by cycles of urban bombings, political assassinations, institutional torture, kidnappings, and summary executions. Concrete Inferno relays this period in Brazil in a lucid narrative history, exploring what drove the military coup of 1964, the subsequent rise of the Armed Left, and the successes and failures of the insurgency and how it concluded. Stretching from the rumblings of discontent during João Goulart’s ascendancy in 1961 to the strange conclusion of the dictatorship in 1985, the book draws on new primary sources and a wealth of English- and Portuguese-language resources to provide a complete and evenhanded portrait of the conflict.
Portuguese Studies Review, Vol. 16, No. 2
This issue of the Portuguese Studies Review presents essays by Glenn J. Ames, N. Shyam Bhat, Sim Yong Huei, Maria Cristina Moreira and Sérgio Veludo, Ana Mónica Fonseca and Daniel Marcos, Reinaldo Francisco Silva, Filipa Fernandes, and Robert Simon. The topics covered range from colonial Christian proselytization to the political interaction between Portuguese Goa and the Karnataka, war and diplomacy in the Estado da India (1707-1750), Portuguese military uniforms in the nineteenth century, perceptions of the United States through immigrant eyes, French and German military support for Portugal in 1958-1968, the politics of water supply, and the poetics of Herberto Helder.
