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In 1969 Gerry Schum unhinged the conventional course of exhibition with the broadcast of contemporary artist films on television. Like many working in the arts during this period, Schum-a documentary filmmaker for West German broadcast television-saw the traditional hierarchies of painting and sculpture as outdated, and the institutions in which they circulated as an inaccessible system. Together with his wife Ursula Wevers, Schum sought ways to challenge what he referred to as "the eternal triangle of studio, gallery, collector" and employ network systems via conceptual means to achieve new forms of communication. The Fernsehgalerie Gerry Schum- TV Gallery in English-represented a radical m...
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