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Ensign in Italy
In 1943, aged 18, Philip Brutton relinquished his place at Cambridge to volunteer for the Welsh Guards. He was commissioned the same year and was Ensign of the Guard as St James's Palace when a near miss by the Luftwaffe hit and badly damaged the surrounding area. At 19, in early 1944, he was sent to Italy where he joined his Regiment and was soon on patrol in the dead-man's-land of the Cassino ruins, threading his way nightly through the minefields, under constant threat of enemy attack, shelling and mortaring. He survived to fight with the 3rd Battalion Welsh Guards as a young battle-hardened platoon commander throughout the major encounters of the Italian campaign involving 1st Guards' Brigade. In Austria, under orders, he handed over the Croatian Government and then 2000 men plus their families to their communist executioners: the Great Betrayal. A regular officer, he was stationed in Palestine before the end of the British Mandate, and after a period with The Prince of Wales's Company, 1st Battalion Welsh Guards, he became a Staff Captain at Headquarters 1st Guards' Brigade, aged 21.
Finding Ferrante
Elena Ferrante’s Neapolitan novels achieved stunning global success in part because of the mystery surrounding their pseudonymous author. English-speaking readers were tantalized by her enigmatic biography as well as what they took to be her authentic portrayal of working-class Naples. However, we now know that the person behind the writing is most likely Anita Raja, a prominent translator of German literature whose background is very different from Ferrante’s supposed life. In Finding Ferrante, Alessia Ricciardi revisits questions about Ferrante’s identity to show how the problem of authorship is deeply intertwined with the novels’ literary ambition and politics. Going beyond the lo...
Guarini's 'Il pastor fido' and the Madrigal
Battista Guarini’s pastoral tragicomedy Il pastor fido (1589) began its life as a play, but soon was transformed through numerous musical settings by prominent composers of the late sixteenth and early seventeenth centuries. Through the many lives of this work, this book explores what happens when a lover’s lament is transplanted from the theatrical stage to the courtly chamber, from speech to song, and from a single speaking character to an ensemble of singers, shedding new light on early modern literary and musical culture. From the play’s beginnings in manuscripts, private readings, and aborted stage productions in the 1580s and 1590s, through the gradual decline of Pastor fido madr...
Rivista di Bergamo
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Le mani dei santi
Andrea resta a terra e il fiume trascina i morti in giro per il paese. Edoardo fa il giornalista nel paese dove ha sempre vissuto: vuole raccontare una storia che non capisce, e che forse e piu grande di lui, rischiando cosi di travolgere anche il nipote. Si tratta di scoprire chi ha ucciso quegli uomini nel lago, e che fine hanno fatto gli ebrei di San Biagio.
