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Story/telling
Story/telling is an eclectic and fascinating collection of stories and stories about stories. With passion and verve, some of Australia's finest writers range through vast territory exploring new directions in film and media, enigmas and creativity, histories of mothering, narratives of indigenous and migrant experience, folk, country and multicultural music traditions, and dilemmas of interpretation.These writers appreciate the power of stories, for good and ill. They interrogate narratives of Australia's past and present and call for new stories for changing times. We hear voices, raised one moment, subdued the next, as if we were sitting in the Forum tent at the Woodford Festival, knowing that here and just beyond, in paint, dance, music and words, stories are happening in delicious abundance.
Claiming Space for Australian Women’s Writing
This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.
Thistledown Seed
** Shortlisted for WA Premier’s Prize for Book of the Year 2023 ** Interweaving fiction and memoir in multiple threads, Thistledown Seed follows the displacement and violence of the Holocaust for a Polish family who subsequently settle in Western Australia. In this deeply moving account, Louise Helfgott explores another side of her family’s tragic past made famous in the Oscar-winning movie, Shine, about her brother David Helfgott. The floating thistledown seed, often seen in Europe during summer, represents the diaspora of the Jewish people who were scattered around the world as a result of the Holocaust. 'Only a poet perhaps can extract such beauty from a tragedy so immense it will sha...
Popular Music and Australian Culture
This volume explores aspects of popular music and culture from the twentieth century to the present day. It brings together contributions challenging or reassessing assumptions about how individual, subjective experience comes to terms with modernity. While the emphasis is on Australian case studies, the essays here raise larger questions, ranging from our disempowerment as consumers demanding instant gratification to our ambiguous status as observers of and participants in historical change. They examine the complex relationship between sound and visual media in the formation of various communities, and how this relates to daily lived experience.
John Galsworthy’s Compassion
This book discusses John Galsworthy’s compassion for people and animals, in his fiction, non-fiction and drama. Initial chapters explore compassion in The Forsyte Saga and The Modern Comedy, and his parents’ influence. Other chapters examine his works helping prison reform, men and children disabled during the First World War, and people whose relatives were interned as war-time alien enemies. Two chapters focus on slum clearance and labour unrest during the twentieth century’s first three decades. Another two concentrate on animal welfare and vivisection. The final chapter attempts to appraise Galsworthy as a writer by looking at what commentators past and present have said, and at what constitutes literature.
In the Eye of the Beholder
This book offers a fresh perspective in the debate on settler perceptions of Indigenous Australians. It draws together a suite of little known colonial women (apart from Eliza Fraser) and investigates their writings for what they reveal about their attitudes to, views on and beliefs about Aboriginal people, as presented in their published works. The way that reader expectations and publishers’ requirements slanted their representations forms part of this analysis. All six women write of their first-hand experiences on Australian frontiers of settlement. The division into ‘adventurers’ (Eliza Fraser, Eliza Davies and Emily Cowl) and longer-term ‘settlers’ (Katherine Kirkland, Mary McConnel and Rose Scott Cowen) allows interrogation into the differing representations between those with a transitory knowledge of Indigenous people and those who had a close and more permanent relationship with Indigenous women, even encompassing individual friendship. More pertinently, the book strives to reveal the aspects, largely overlooked in colonial narratives, of Indigenous agency, authority and individuality.
The Handbook of World Englishes
The Handbook of World Englishes is a collection of newly commissioned articles focusing on selected critical dimensions and case studies of the theoretical, ideological, applied and pedagogical issues related to English as it is spoken around the world. Represents the cross-cultural and international contextualization of the English language Articulates the visions of scholars from major varieties of world Englishes – African, Asian, European, and North and South American Discusses topics including the sociolinguistic contexts of varieties of English in the inner, outer, and expanding circles of its users; the ranges of functional domains in which these varieties are used; the place of English in language policies and language planning; and debates about English as a cause of language death, murder and suicide.
Paul Hasluck in Australian History
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