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Literature and Agency in English Fiction Reading
This book represents the first anthropological study of fiction reading and the first ethnography of British literary culture. It is the outcome of long-term engagement with a set of solitary readers who belong to a single literary society. These men and women celebrate the works of the now often forgotten twentieth century novelist and nature writer Henry Williamson (note: this is not a biography or critical study of the works of a single author). Attention falls on the outcomes of the event of reading, on the agencies that readers identify in the vicinity of literature, and on the kinds of literary artifacts (books, land, and pasts) these claims reveal. Williamson readers took my inquiries...
Literature Against Criticism
This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the ‘campus novel’ of the mid-twentieth century. Martin Paul Eve’s engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it.
Great Expectations [1867 Edition] Paperback
Great Expectations is the thirteenth novel by Charles Dickens and his penultimate completed novel; a bildungsroman that depicts the personal growth and personal development of an orphan nicknamed Pip. It is Dickens's second novel, after David Copperfield, to be fully narrated in the first person. The novel was first published as a serial in Dickens' weekly periodical All the Year Round, from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes.Charles Dickens's Great Expectations tells the story of Pip, an English orphan who rises to wealth, deserts his true friends, and becomes humbled by his own arrogance. It also introduces one of the more...
Fiction (English) For B.A. (Sem.5) According to NEP-2020
Contents: 1. Literary Terms 2. Earlier Trends in Fiction 3. Trends in 20th and 21st Century Fiction 4. A Tale of Two Cities (By Clarles Dickens) 5. Far From The Madding Crowd (By Thomas Hardy) 6. Pride and Prejudice (By Jane Austen) 7. The Mill On The Floss (By George Eliot) 8. The Bluest Eye (By Toni Morrison) 9. To Kill a Mockingbird (By Harper Lee) 10. The Old Man And The Sea (By Ernest Hemingway) 11. The Grapes Of Wrath (By John Steinbeck) 12. The White Tiger (By Arvind Adiga) 13. Dalits, Dynasty and She (By Sanjay Chitranshi) 14. Dollar Bahu (By Sudha Murthy). Additional Information: The author of this book is R. Bansal.
English Fiction of the Victorian Period
Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.
The Supernatural and English Fiction
This book is the first ever to describe and discuss all the principal English writers who have handled the subject of the supernatural. Among those included in Glen Cavaliero's absorbing study are James Hogg, Sheridan Le Fanu, Henry James, Rudyard Kipling, Walter de la Mare, M. R. James, John Cowper Powys, William Golding, Iris Murdoch, and Muriel Spark. As well as analysing the senses in which the supernatural may be understood, he relates them to different kinds of fiction, such as the Gothic novel, the occultist romance, the ghost story, novels of paranormal psychology, nature mysticism, and late twentieth-century uses of allegory and fable. He examines the impact of supernaturalist themes upon naturalistic writers, and discusses the relevance of the supernatural to the question of the truthfulness of fiction, and to contemporary literary theory and its ideological accompaniments.
Major Trends in the Post-independence Indian English Fiction
This Book Presents A Reasonably Comprehensive Account Of The Development Of The Indian English Novel Since Independence. The Novel During The Colonial Period Has A Different Outlook And Was More Concerned With The Problems Of The Indian People Suffering Under The British Yoke. After Independence The Indian Writers Looked At The Indian Scene From The Postcolonial Point Of View. There Were New Hopes, No Doubt, But The Problems Social, Economic, Religious, Political And Familial That Were Submerged In The Flood Of The National Movement Emerged And Drew Attention Of The Creative Writers. The Partition, The Communal Riots After Partition, The Problem Of Casteism, The Subjugation Of Women, The Pov...
Contemporary Pakistani Fiction in English
Looking at a wide selection of Pakistani novels in English, this book explores how literary texts imaginatively probe the past, convey the present, and project a future in terms that facilitate a sense of collective belonging. The novels discussed cover a range of historical movements and developments, including pre-20th century Islamic history, the 1947 partition, the 1971 Pakistani war, the Zia years, and post-9/11 Pakistan, as well as pervasive themes, including ethnonationalist tensions, the zamindari system, and conspiracy thinking. The book offers a range of representations of how and whether collective belonging takes shape, and illustrates how the Pakistani novel in English, often ov...
English Fiction in the 1930s
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time. Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, middle and lowbrow categorisations of culture, between literature and mass culture, and between diffe...
