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Giovanni Gabrieli and His Contemporaries
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
The Inscribed List, or, Why Librarians Are Crazy
What do Ludwig von Baldass, Theodore Rolly Ball, John Cawte Beaglehole, Guido van Deth, Fulvia de Cunto Fadigas, Dingle Foot, Rev. Daniel Parish Kidder, Thomas Strangeways Pigg-Strangeways, Franciscus Petrus Hubertus Prick van Wely, Walter Lytle Pyle, Hendrik Peter Godfried Quack, Lazar Shitnitzky, Elephant Smith, Preserved Smith, Increase Niles Tarbox, and over 2000 others have in common? They are all real names of real people. They are all verified entries in library catalogs. They are all on The Inscribed List.
Origins of European Printmaking
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
The Branch
The thesis of the book may be stated simply: it is an argument based upon the four prophetic texts of Jer 23:5; Zech 3:8; 6:12; and Isa 4:2 as a foundational pattern for the four Gospels. These four prophetic texts, it will be argued, mention a King Branch, a Servant Branch, a Man/Priest Branch, and a Lord God Branch. This study seeks to show how Matthew presents Jesus as the King Branch, Mark as the Servant Branch, Luke as the Priest/Man Branch, and John as the Lord God Branch. Consideration will also be given to explore the ramification of the four living Beings as described in Rev 4:6-7. Given the sum total of this sequence of literary facts, the conclusion of this book will raise a number of possible implications. One of these implications will offer the conclusion that the four evangelists could not have written their four Gospels solely on their own human unaided efforts.
Critical Analyses in English Renaissance Drama
This bibliographic guide directs the reader to a prize selection of the best modern, analytical studies of every play, anonymous play, masque, pageant, and "entertainment" written by more than two dozen contemporaries of Shakespeare in the years between 1580 and 1642. Together with Shakespeare's plays, these works comprise the most illustrious body of drama in the English language.
The Athenæum
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