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The Figurative Tradition and the Whitney Museum of American Art
  • Language: en
  • Pages: 204

The Figurative Tradition and the Whitney Museum of American Art

  • Categories: Art

This volume, the catalog of the fiftieth-anniversary exhibition at the Whitney, charts the main currents of twentieth-century American figurative art. More than 200 illustration, 32 in color, are included.

The Figurative Artist's Handbook
  • Language: en
  • Pages: 305

The Figurative Artist's Handbook

  • Categories: Art

An Authoritative, Comprehensive Guide for Contemporary Figurative Artists At a time when renewed interest in figurative art is surging throughout the art world, author Robert Zeller presents The Figurative Artist’s Handbook—the first comprehensive guide to figure drawing and painting to appear in decades. Illustrated with Zeller’s own exquisite drawings and paintings as well as works by nearly 100 historical and contemporary figurative art masters, the handbook is also a treasure trove of the finest figurative art of the past and the present day. Included are Michelangelo, Pieter Brueghel the Elder, Peter Paul Rubens, Jean-Auguste-Dominique Ingres, Gustav Klimt, Edward Hopper, Andrew L...

Bay Area Figurative Art, 1950-1965
  • Language: en
  • Pages: 258

Bay Area Figurative Art, 1950-1965

  • Categories: Art

"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park

The World New Made
  • Language: en

The World New Made

  • Type: Book
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  • Published: 2022-02-03
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  • Publisher: Unknown

A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective 'Resistance' who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, 'All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.'

American Abstract and Figurative Expressionism
  • Language: en

American Abstract and Figurative Expressionism

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

This survey (a follow¿up to the earlier volumes: New York School Abstract Expressionists: Artists Choice by Artists;7 American Abstract Expressionism of the 1950s An Illustrated Survey.8) intends to present a significantly different approach. Fifty eight American painters and sculptors of the post-World War II era, are represented, each by one abstract and one figurative work.The book intends to show that the most engaged mainstream creative work in New York and across the USA was not restricted to non-representational or representational expressionism but rather to the creative power of the individual expressionist artist. The artists are represented in alphabetical order. The usual convention of critical analysis is replaced by statements written by the artists themselves. The statements may serve to enlighten the readers as to the artists¿ relation to their creative process. The biographical information for each artist is presented in a standardized, uniform fashion. It is critical that a reference book of this sort would provide excellent, large format reproductions. The books were printed by the world renowned Dr. Cantz¿sche Druckerei in Ostfildern, Germany,

What Nerve!
  • Language: en

What Nerve!

What Nerve! reveals a hidden history of American figurative painting, sculpture and popular imagery. It documents and/or restages four installations, spaces or happenings, in Chicago, San Francisco, Detroit and Providence, which were crucial to the development of figurative art in the United States. Several of the better-known artists in What Nerve! have been the subject of significant exhibitions or publications, but this is the first major volume to focus on the broader impact of figurative art to connect artists and collectives from different generations and regions of the country. These are: from Chicago, the Hairy Who (James Falconer, Art Green, Gladys Nilsson, Jim Nutt, Suellen Rocca, ...

The Painted Sketch
  • Language: en
  • Pages: 312

The Painted Sketch

  • Type: Book
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  • Published: 1998
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  • Publisher: Abrams

"The Painted Sketch is the first volume to focus on the sketches of major American artists of the period. Eleanor Jones Harvey, author and consulting curator of American Art for the Dallas Museum of Art, follows the artists from field to studio, examining the changing perception and growing public appreciation for these small works. Her study is based on much new research as well as on her close analysis of existing resources."--BOOK JACKET.

A Brush with the Real
  • Language: en
  • Pages: 326

A Brush with the Real

  • Categories: Art

Presents a survey of key contemporary artists who have each embraced painting and are working within a realist tradition. Through individual interviews, discusses their methods, motives and sources, from art history to the Internet and the language of film.

Black Romantic
  • Language: en
  • Pages: 132

Black Romantic

  • Categories: Art
  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

"In 'Black Romantic' elements of desire, dreams, determination, and romance particular to the black experience present a viewpoint that is oppositional to modernist conceptualizations of blackness flavored by exogenous exoticism, stereotype, caricature, and even abstractionist manipulation." -- Director's foreword

Library of Congress Subject Headings
  • Language: en
  • Pages: 1688