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Canada has a rich and interesting military intelligence history, one that continues to grow at a rapidly expanding rate. Intelligence is a key element of operations, enabling commanders to successfully plan and conduct operations. It enables them to win decisive battles and it helps them to identify and attack high value targets. In order to ensure Commanders have the required support they need to plan and conduct operations, members of Canada's Military Intelligence Branch are serving in an increasingly dangerous number of hotspots around the world. In recent years they have served in Bosnia-Herzegovina, Haiti, Somalia, Rwanda, East Timor, and Afghanistan just to name a few. While Intelligence personnel have played a major role in ensuring the successful completion of these interdiction missions, many of their stories remain classified. This history cannot truly be complete until the Official Secrets Act permits a clearer picture to be told. Out of Darkness-Light, Volume 2 should, however, give the interested reader at least a partial view of some of the service that has been carried out on Canada's behalf by the Canadian Forces Intelligence Branch for the years 1983 to 1997.
I just watched the face of life I am in the field of spring water of dreams, There is another colourfulness for her Given me rocks herbs
The Middle English popular romances enjoyed a wide appeal in later medieval Britain, and even today students of medieval literature will encounter examples of the genre, such as Sir Orfeo, Sir Tristrem, and Sir Launfal. This collection of twelve specially commissioned essays is designed to meet the need for a stimulating guide to the genre. Each essay introduces one popular romance, setting it in its literary and historical contexts, and develops an original interpretation that reveals the possibilities that popular romances offer for modern literary criticism. A substantial introduction by the editors discusses the production and transmission of popular romances in the Middle Ages, and considers the modern reception of popular romance and the interpretative challenges offered by new theoretical approaches. Accessible to advanced students of English, this book is also of interest to those working in the field of medieval studies, comparative literature, and popular culture.
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Gen Mackenzie has pretty much seen and done it all when it comes to UN peacekeeping operations. From fairly innocuous duty in the Sinai, to a more complex situation in Cyprus and Central America, to the ultimate test for the UN--the Balkans.?Gen Mackenzie's insights also highlight how the UN has adapted (or failed to adapt) to the growing complexities of multinational peacekeeping, in an age where superpower rivalries are no longer able to keep warring factions in check.?Worthy of note is the battle Mackenzie faced dealing not only with the warring factions in Bosnia, but also the warring faction's ability to utilize the omnipresent media to shape public opinion.?Mackenzie's story of the beginning of UNPROFOR should be mandatory reading for those attempting to pursue multinational peacekeeping efforts in a complex, multiethnic environment.
This 4th edition is a unique introductory textbook in that it presents intellectually challenging information in a format that enables its practical application to improve the reader's leisure and life in general. The three major goals of this book are to foster a better understanding of personal and societal leisure behaviour; to facilitate the application of theories, concepts, and data to improve personal leisure well-being; and to broaden perspectives on leisure and enable adaptation to future changes. These three goals, if met, will lead to the attainment of the ultimate purpose of this book, which is to facilitate maximal leisure well-being.
The story of Fahrelnissa Zeid's (1901-91) life is truly like no other. A Turkish noblewoman by birth and Iraqi princess by marriage, she was the first female artist to have a solo exhibition at London's prestigious Institute of Contemporary Arts. Friend and relative of kings, queens, and statesmen, and busy wife of an ambassador, she was also a leading figure of Turkish modernism in the 1940s and a prominent member of the avant-garde in postwar Paris, praised by fellow artists and critics alike. Despite her privileged background, she fought personal tragedy, psychological turmoil, and social and artistic prejudice to chart a unique and innovative path all of her own. She became celebrated in...
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