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Indonesian Cinema after the New Order
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainst...
Film Policy
The first comprehensive overview of the workings of the international film industry. The authors explore the relationship between Hollywood cinema product and national film cultures and look at issues of financing, regulation and censorship.
National Studies on Assessing the Economic Contribution of the Copyright-Based Industries - Series no. 8
The 8th volume of national studies on the economic contribution of the copyright- based industries offers economic analysis on the size of the copyright industries in Argentina, Indonesia, Member States of the Organization of the East Caribbean States, Serbia and Turkey. The publication reviews the contribution of economic activities based on copyright and related rights to the creation of national value added, employment and trade in selected countries and broadens the scope of WIPO-led research on the economic aspects of copyright.
Media, Culture, and Politics in Indonesia
Media, Culture, and Politics in Indonesia is about the institutions and policies that determine what Indonesians write, read, watch, and hear. It covers the print media, broadcast radio and television, computers and the internet, videos, films and music. This book argues that the texts of the media can be understood in two broad ways: 1. as records of a "national" culture and political hegemony constructed by Suharto's New Order and 2. as contradictory, dissident, political and cultural aspirations that reflect the anxieties and preoccupations of Indonesian citizens. Media, Culture, and Politics, now brought back to life as a member of Equinox Publishing's Classic Indonesia series, explains ...
Prominent Indonesian Chinese
The ethnic Chinese in Indonesia, numbering more than six millions, constitute the largest single group of ethnic Chinese in Southeast Asia. They are economically strong, culturally diversified, and socially active. This book presents the profiles of leading figures in the Indonesian Chinese community in the twentieth century in the economic, political, religious, cultural, academic, and social fields. This is the first systematic and comprehensive book of its kind. It is useful for scholars interested in research on Indonesia or Chinese minorities in Southeast Asia generally. First published in 1971, it was revised and developed into the present format in 1978 and has since been revised several times. This is the third and most up-to-date version.
Gender at Sea
For centuries seafaring people thought that the presence of women on board would mean bad luck: rough weather, shipwreck, and other disasters were sure to follow. Because of these beliefs and prejudices women were supposedly excluded from the maritime domain. In the field of maritime history too, the ship and the sea have predominantly been perceived as a space for men. This volume of the Yearbook of Women’s History challenges these notions. It asks: to what extent were the sea and the ship ever male-dominated and masculine spaces? How have women been part of seafaring communities, maritime undertakings, and maritime culture? How did gender notions impact life on board and vice versa? From a multidisciplinary perspective, this volume moves from Indonesia to the Faroe Islands, from the Mediterranean to Newfoundland; bringing to light the presence of women and the workings of gender on sailing, whaling, steam, cruise, passenger, pirate, and navy ships. As a whole it demonstrates the diversity and the agency of women at sea from ancient times to the present day.
Cultural Specificity in Indonesian Film
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
Proceeding of the International Seminar on "Art and Spirituality"
This proceeding is a compilation of papers which is presented at “International Seminar” titled “Art and Spirituality” held by Postgraduate Program, ISI Padangpanjang, 9 November 2016. There are some main speakers who are invited: Dr. Diane Butler (United States), Dr. Megan Collins (New Zealand), Prof. Dr. I Wayan Rai S.,MA (ISBI Tanah Papua), Mr. Surasak Jamnongsarn (Thailand), and Dr. Joe Peters (National University of Singapore). Moreover, 25 writers from several backgrounds (academics and practioners) also presented their papers in this seminar. Hopefully, This “Art and Spirituality” proceeding could enrich repertoire of art references in Indonesia and also becomes an encouragement to academics and artists to “dish up” ideas in form of scientific papers.
Cinemas of the World
The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early s...
